Poor Agatha Christie is given nothing to do here but collect material to rehash in one of her own most celebrated novels.
Agatha Christie and Max Mallowan’s trial move from Devon to test the waters of London is marked by a series of theatrical murders they ask their housekeeper to solve.
Summoned to the Adelphi Theater by her distraught friend and employer, Phyllida Bright joins Agatha and Max in mourning the death of Archibald Allston, whom producing couple Hugh and Melissa Satterwait had been eyeing as the possible lead for Wasp’s Nest, a play based on one of Agatha’s stories. Examining the scene and the body a lot more closely than the police would have approved of, had anyone thought to call them, Phyllida concludes that Archie died of natural causes. The same can’t be said for Trent Orkney, the Benvolio clubbed to death at the Belmont Theater the next day. Drama critic Abernathy Vane’s alliterative headline—“Benvolio Bashed on Balcony at the Belmont! And Alston Asleep in Armchair at the Adelphi”—playfully suggests that the two deaths are connected, a suspicion that’s less playfully confirmed when Claudia Carmichael, the star of Peter Pan, is catapulted from her rope harness to her death at the Clapham. Even as she does her best to protect the most likely next target—Daphne Dayberry, who plays Lucy in the Dunsary Theater’s production of Dracula—Phyllida, encouraged to her surprise by Scotland Yard inspector George Wellbourne, works tirelessly to figure out the motive behind the rigorous but random-seeming pattern. The result is her most ingeniously plotted case, though also her least original.
Poor Agatha Christie is given nothing to do here but collect material to rehash in one of her own most celebrated novels.Pub Date: Oct. 22, 2024
ISBN: 9781496742599
Page Count: 304
Publisher: Kensington
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.
Four residents of Coopers Chase, a British retirement village, compete with the police to solve a murder in this debut novel.
The Thursday Murder Club started out with a group of septuagenarians working on old murder cases culled from the files of club founder Elizabeth Best’s friend Penny Gray, a former police officer who's now comatose in the village's nursing home. Elizabeth used to have an unspecified job, possibly as a spy, that has left her with a large network of helpful sources. Joyce Meadowcroft is a former nurse who chronicles their deeds. Psychiatrist Ibrahim Arif and well-known political firebrand Ron Ritchie complete the group. They charm Police Constable Donna De Freitas, who, visiting to give a talk on safety at Coopers Chase, finds the residents sharp as tacks. Built with drug money on the grounds of a convent, Coopers Chase is a high-end development conceived by loathsome Ian Ventham and maintained by dangerous crook Tony Curran, who’s about to be fired and replaced with wary but willing Bogdan Jankowski. Ventham has big plans for the future—as soon as he’s removed the nuns' bodies from the cemetery. When Curran is murdered, DCI Chris Hudson gets the case, but Elizabeth uses her influence to get the ambitious De Freitas included, giving the Thursday Club a police source. What follows is a fascinating primer in detection as British TV personality Osman allows the members to use their diverse skills to solve a series of interconnected crimes.
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.Pub Date: Sept. 22, 2020
ISBN: 978-1-98-488096-3
Page Count: 368
Publisher: Pamela Dorman/Viking
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
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