In this second series entry, shape-shifting tiger sisters and their escorts undertake tests and quests in a magic land infused with Russian folklore.
Because the six principal characters are scattered at the beginning—and proceed in several directions in changing combinations—this sequel to Tiger’s Tale (2024) tends to sprawl. But whether readers prefer their folkloric adventures to be melodramatic, romantic, comical, or mystical in tone, Houck endeavors to provide something to satisfy them. She also assiduously mines her Slavic sources of inspiration, stirring tricksy bargains and helpful gifts (like magic boots) into encounters with powerful figures from Morozko (Father Frost) and Baba Yaga (here called “Baba Yuga”) to a mischievous likho, or spirit of misfortune. The young travelers are exposed to generous doses of life wisdom, opportunities to heal old wounds or learn from experiences, and (for some, at least) steamy romantic awakenings. Houck imparts many lessons, but she laces the narrative with Russian words, often slang (“Gaw! Boy’s near froze off his yaytsa!”), and modern-sounding expressions (“That’s just weird,” “Well, cry me a river, son”) that both enrich and lighten the atmosphere. Contests with foes, like the troll-like vodnik and a child-murdering ghost, provide thrills. Aside from an Indian mage from Houck’s Tiger’s Curse series putting in a guest appearance, the cast reads white.
A mare’s nest plot-wise, but the intriguing setting and characters make it worth untangling.
(Fantasy. 13-16)