While making a point and playing up a scenario that’s probably familiar in some households, this doesn’t earn a place at the...
Thanksgiving dinner is fraught with potential for humiliation.
Roiling with indignation, an 8-year-old flower- and sequin-bedecked girl fumes at being made to sit with babies and toddlers at a separate holiday table laden with sippy cups, plastic dinnerware, and diners who carouse with their dishes and gloppy food. In sometimes-amusing but clunky verse that doesn’t scan well, the child argues her case for a seat among the grown-ups, itemizing all that she knows how to do. Scansion isn’t the only casualty: Ostensibly for the purpose of mining some not-very-humorous comic moments, the author sends internal logic on holiday, too. Would it not have occurred to anyone that an 8-year-old might balk at sitting with much-younger children? Would parents of such small fry not help their little ones eat or supervise their table time? All is resolved when the offended child’s mother gently explains that her daughter need only have expressed her desires beforehand. When finally invited to eat with the adults, the girl has a grand time, assists with cleanup and farewells afterward, and realizes things weren’t so bad after all. The colorful, energetic illustrations, embellished with emphatic display types that match the irate white girl’s protests, are expressive and feature secondary characters of diverse skin tones, ages, and sizes (final art not seen).
While making a point and playing up a scenario that’s probably familiar in some households, this doesn’t earn a place at the head of the table. (Picture book. 5-8)Pub Date: Aug. 1, 2018
ISBN: 978-1-68446-002-1
Page Count: 32
Publisher: Capstone Young Readers
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: June 1, 2018
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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