Less psychologically sophisticated than the granddaddy of all Roman historical fiction, Robert Graves’s I, Claudius, but a...
Gaius Julius Caesar is back in the third of Iggulden’s projected tetralogy (Emperor: The Death of Kings, 2004, etc.), and he’s kicking Gallic butt and taking unpronounceable names.
It’s midpoint in the first century b.c. Having ranged widely throughout the eastern stretches of the Roman Empire, having put down slave revolts and attempted coups, having come and seen and conquered much of the known world, Caesar is still far from Rome, where fellow triumvirs Pompey and Crassus are enjoying Falernian wine and the other delicacies of the capital. Caesar has work to do, though, before he can join in the fun: when this installment opens, he’s in Spain among men who, unaccountably, bear modern Spanish names, but soon he’s in the field battling rebellious Romans and then off to the north to attend to successive swarms of Germanic and Celtic warriors, all with points of their own to prove. Iggulden has read Caesar’s Gallic Warscarefully, and most of the particulars here are supported, or at least hinted at, by the soon-to-be capo, who had the uncommon virtue of self-criticism and a good eye for detail. Where Iggulden really shines, though, is in putting flesh on historical bones and reading between the lines, providing, along the way, motives for old Brutus to be ticked off, not least of them a few costly tactical errors: “Brutus looked over the heads of his men, his heart pounding with anger. If he survived the retreat, he swore Julius would pay for the destruction of the Tenth.” Brutus holds his anger in check, however, and he and his fellow soldiers have many a merry day slaughtering everything they see; think of the opening scenes of Saving Private Ryan, and you’ll have a good idea of the tenor of Iggulden’s expertly rendered—and unfailingly exciting—battles.
Less psychologically sophisticated than the granddaddy of all Roman historical fiction, Robert Graves’s I, Claudius, but a pleasure for those for whom the words “alea jacta est” mean something.Pub Date: March 8, 2005
ISBN: 0-385-33663-2
Page Count: 467
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
