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MARGARET OF ANJOU

From the Wars of the Roses series , Vol. 2

Highly readable as a stand-alone novel, but those who loved Stormbird will be anticipating Iggulden’s take on the...

In the second volume of his War of the Roses trilogy, Iggulden (Stormbird, 2014, etc.) follows beautiful young Queen Margaret as she defends the Lancaster realm against York rebels.

Iggulden tells of blood flowing riverlike across "this earth, this realm, this England" in royal-upon-royal confrontations at St. Albans, at Ludlow, and finally in the fields outside Sandal Castle. Henry Percy, Earl of Northumberland, sparks the violence by sending warriors led by his son Thomas to strike a Salisbury wedding party. Percy, a supporter of the king, had grown weary of York ally Salisbury's incursions on his lands. Iggulden thereafter moves the action swiftly to the clash between mentally fragile and often stuporous King Henry VI, aided by loyalists Buckingham and Somerset, and York, Salisbury, and Warwick. "There will be no peace while York lives," says Margaret. But York only seeks "to strip the whisperers away from King Henry’s side before his house was destroyed by them." From such disputes thousands die as battles clang with sword and axe. Iggulden deftly describes the keys to victories: Warwick’s breakthrough at St. Albans; Trollope’s betrayal at Ludlow; and Margaret’s bartering for Scots allies to corner York and Salisbury at Sandal. Iggulden’s fictional Derry the spymaster reflects Margaret’s court activities, but other characters peek from history’s mists to populate the narrative, like York's son, giant Edward of March, only 18 and carrying "a weight of muscle that made experienced warriors want to look at their feet in his presence." But it is the yowling, pain-riven, spine-twisted Richard, who York believes should have been put out "on a winter’s night and let the cold take him," who foreshadows the bloodletting to come.

Highly readable as a stand-alone novel, but those who loved Stormbird will be anticipating Iggulden’s take on the mesmerizing Richard III.

Pub Date: June 16, 2015

ISBN: 978-0-399-16537-5

Page Count: 448

Publisher: Putnam

Review Posted Online: April 1, 2015

Kirkus Reviews Issue: April 15, 2015

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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