Capturing the stink and gore, violence and romance of medieval life, Iggulden makes real those grand characters who live in...
Iggulden (The Blood of Gods, 2013, etc.) rallies dukes and barons, archers and peasants, schemers and warriors in this first in a trilogy chronicling the 15th-century War of the Roses.
Henry VI, only 22, assumes England’s crown; he's "a dear white lamb to lead us in prayer"—the opposite of his warrior father—and he mystically believes hours of prayer keep France at bay. "Bring me a truce, Derry," he commands Master Derihew Brewer, once an archer and now the king’s spymaster. Brewer brokers a treaty with France’s King Charles and Duke René of Anjou for the marriage of the duke’s daughter, 14-year-old Margaret, to Henry in return for the English-held lands of Anjou and Maine. Powerful warrior royals like Richard, Duke of York, are opposed. Others, like William, Lord Suffolk, are ambivalent but loyal to the crown. The marriage is made, English protection is withdrawn, and the farms and settlements in Maine and Anjou become prey to the French. Worse, the collapse of those betrayed English bastions causes violent unrest in England. Giving color to various scenes and schemes, Iggulden skillfully depicts bloody clashes as English settlers fight, then retreat from Maine, Anjou and Normandy into Calais, followed by action-packed and nerve-racking street fighting when rebellious Kentish Freemen march into London. With Suffolk dead, the precociously intelligent and courageous Queen Margaret, along with other loyal lords, relies on Brewer’s scheming to secure the physically weak and emotionally damaged Henry. An heir is needed. Other lords conspire to name York Protector and Defender of the Realm. Iggulden superbly dissects the dogfight among Edward Longshanks’ descendants, but he also creates memorable fictional characters—in addition to Brewer, there's Thomas Woodchurch, an English archer–turned–Anjou wool merchant drawn back to the bow.
Capturing the stink and gore, violence and romance of medieval life, Iggulden makes real those grand characters who live in the collective memory. A page-turner sure to have readers eager for the next in the series.Pub Date: July 8, 2014
ISBN: 978-0-399-16536-8
Page Count: 496
Publisher: Putnam
Review Posted Online: May 6, 2014
Kirkus Reviews Issue: May 15, 2014
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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