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I GOT THE CHRISTMAS SPIRIT

Soul-stirring and sure to put readers in a festive mood.

Christmas spirit is expressed in joyous and reflective onomatopoeic exclamations in this new holiday staple, a follow-up to I Got the Rhythm (2014).

With her first yawn in the morning, the young black protagonist, coily ’fro on full display, excitedly wakes to the spirit of the season. Snowflakes flutter across bright illustrations, encouraging readers to inhale, feel, taste, and listen to all things Christmas as embodied in loving detail in the rhythmic language. The winter delights include ice skating (“SWISH SWISH”), caroling (“FA LA LA LA LA”), and the sparkling of Christmas lights (“BLING BLING”), whetting the appetites of young readers as they count down the days until Christmas. Each page sets a different scene, but the little girl, now with two adorable afro puffs, steals each one as she bops around town. Whether she’s letting the steam from roasted chestnuts curl around her face or advocating for others with Santa, she makes sure to show that the spirit of Christmas is not just the traditions enjoyed, but also the actions taken to share kindness and joy with others, because “THE SPIRIT IS YOU!” Author and illustrator capture children’s insistent acknowledgment of what adults often pretend not to see, in this case homeless members of the community, and they also emphasize the strength of will that allows the young protagonist to rise mightily to the occasion.

Soul-stirring and sure to put readers in a festive mood. (Picture book. 3-6)

Pub Date: Sept. 4, 2018

ISBN: 978-1-68119-528-5

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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