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ADORKABLE

A familiar but heartfelt romance for easygoing readers.

In O’Gorman’s YA debut, two best friends try to fool people into thinking that they’re in love—and then discover a new facet of their relationship.

Sally Spitz is a frizzy-haired 17-year-old girl with a charming zeal for three things: Harry Potter (she’s a Gryffindor), Star Wars, and getting into Duke University. During her senior year of high school, she goes on a slew of miserable dates, set up by her mother and her own second-best–friend–turned-matchmaker, Lillian Hooker. Sally refuses to admit to anyone that she’s actually head over Converses in love with her longtime best friend, a boy named Baldwin Eugene Charles Kent, aka “Becks.” After a particularly awkward date, Sally devises a plan to end Lillian’s matchmaking attempts; specifically, she plans to hire someone to act as her fake boyfriend, or “F.B.F.” But before Sally can put her plan into action, a rumor circulates that Sally and Becks are already dating. Becks agrees to act as Sally’s F.B.F. in exchange for a box of Goobers and Sally’s doing his calculus homework for a month. Later, as they hold hands in the hall and “practice” make-out sessions in Becks’ bedroom, their friendship heads into unfamiliar territory. Over the course of this novel, O’Gorman presents an inviting and enjoyable account of lifelong friendship transforming into young love. Though the author’s reliance on familiar tropes may be comforting to a casual reader, it may frustrate those who may be looking for a more substantial and less predictable plot. A number of ancillary characters lack very much complexity, and the story, overall, would have benefited from an added twist or two. Even so, however, this remains a largely engaging and often endearing debut. 

A familiar but heartfelt romance for easygoing readers.

Pub Date: Dec. 3, 2019

ISBN: 978-1-64063-759-7

Page Count: 340

Publisher: Entangled Teen

Review Posted Online: Jan. 7, 2020

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PEMMICAN WARS

A GIRL CALLED ECHO, VOL. I

A sparse, beautifully drawn story about a teen discovering her heritage.

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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.

Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.

A sparse, beautifully drawn story about a teen discovering her heritage.

Pub Date: March 15, 2018

ISBN: 978-1-55379-678-7

Page Count: 48

Publisher: HighWater Press

Review Posted Online: Feb. 28, 2018

Kirkus Reviews Issue: May 1, 2018

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MONSTER

The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...

In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.

Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.

The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)

Pub Date: May 31, 1999

ISBN: 0-06-028077-8

Page Count: 280

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 1999

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