A tongue-in-cheek masterpiece echoing most parents’ outings with small children.
A young boy narrates a trip to the zoo with Dad, but who’s the kid and who’s the adult?
Readers get their first clue that this isn’t a standard parent-child picture book on the opening spread. No people are visible, but a Victrola’s horn sneaks through a door, startling the dog (and maybe readers) with a blaring: “everybody up! I want to go to the ZOO!” From then, it’s constant motion, the father doing his best galloping-camel imitation all the way to the zoo, his still-sleepy (and pajama-clad) son hanging on for dear life. By the third spread, readers will know that the roles of father and child are reversed. The longer the two wait in line for tickets, “the more ideas [Dad] has about how to cut the line.” Dad races around the enclosures with the boy lagging behind before having a meltdown over ice cream; these behaviors—and the child’s desperate attempts to distract Dad—will be quite familiar (and hysterical) to parents of small children. There’s even the final, most terrible ordeal: the gift shop! “The galloping camel has turned into a sluggish snail. And me? I’m wiped out.” Di Giacomo’s naively done illustrations in muted earth tones are quite unlike what’s normally found in bright, splashy picture books, but they fit this one perfectly, playing up the humor of a Dad who just can’t be still.
A tongue-in-cheek masterpiece echoing most parents’ outings with small children. (Picture book. 4-8)Pub Date: May 7, 2016
ISBN: 978-1-59270-190-2
Page Count: 32
Publisher: Enchanted Lion Books
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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