A short, captivating tale of unwanted attention.
In this novel, a female graduate student becomes an object of desire.
The year is 1962. The young women who flock to the small New England town of North Chesterfield to attend Mt. Simmons College come mostly from well-to-do families—they live on monthly allowances, vacation in Europe, and date boys who go to Harvard and Yale. Mabel Gorne is everything they are not: Midwestern, mysterious, and shabby in a way that suggests disinterested old money. She’s come to Mt. Simmons to pursue graduate studies in anthropology, but she quickly acquires a collection of younger acolytes: “Mabel was ‘unique…special… singular,’ or ‘un symbole du raffinement’ to the Francophiles….Whether she understood the spell she cast or not, the fact remains that the spell was very real.” She boards in the grand Victorian home of respectable local couple Ruth and Henry Alston, who also swiftly grow enamored of her—particularly Henry, who spies on Mabel through a peephole in her bedroom wall. Mabel does have a few secrets, including those involving her nighttime trysts with local assistant constable Jim Flaherty. But it turns out that the unspoken desires of those around her may prove to have just as strong a pull on her destiny as anything in her past. Biddle’s stylish prose perfectly captures the mid-20th-century setting in all its repressed isolation: “Dressed in a nylon slip and nothing more, Mabel sat beside an open bedroom window in the Windsor Haven Hotel. A pair of sepia-patterned curtains shielded her from the road below and the passersby strolling Main Street….She experienced a sense of peril as compelling as any she’d known. It was like climbing the catwalk on a railroad bridge.” The sentences sing, and every creaky room of the Alston house becomes a stage for suspenseful encounters. It’s a compact story, leaping back and forth between a handful of rich interiorities, and readers will be delighted to journey with the characters into the darkness of their hidden lives.
A short, captivating tale of unwanted attention.Pub Date: Nov. 1, 2022
ISBN: 978-6188607705
Page Count: 208
Publisher: Vine Leaves Press
Review Posted Online: Oct. 21, 2022
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
