A short, captivating tale of unwanted attention.
In this novel, a female graduate student becomes an object of desire.
The year is 1962. The young women who flock to the small New England town of North Chesterfield to attend Mt. Simmons College come mostly from well-to-do families—they live on monthly allowances, vacation in Europe, and date boys who go to Harvard and Yale. Mabel Gorne is everything they are not: Midwestern, mysterious, and shabby in a way that suggests disinterested old money. She’s come to Mt. Simmons to pursue graduate studies in anthropology, but she quickly acquires a collection of younger acolytes: “Mabel was ‘unique…special… singular,’ or ‘un symbole du raffinement’ to the Francophiles….Whether she understood the spell she cast or not, the fact remains that the spell was very real.” She boards in the grand Victorian home of respectable local couple Ruth and Henry Alston, who also swiftly grow enamored of her—particularly Henry, who spies on Mabel through a peephole in her bedroom wall. Mabel does have a few secrets, including those involving her nighttime trysts with local assistant constable Jim Flaherty. But it turns out that the unspoken desires of those around her may prove to have just as strong a pull on her destiny as anything in her past. Biddle’s stylish prose perfectly captures the mid-20th-century setting in all its repressed isolation: “Dressed in a nylon slip and nothing more, Mabel sat beside an open bedroom window in the Windsor Haven Hotel. A pair of sepia-patterned curtains shielded her from the road below and the passersby strolling Main Street….She experienced a sense of peril as compelling as any she’d known. It was like climbing the catwalk on a railroad bridge.” The sentences sing, and every creaky room of the Alston house becomes a stage for suspenseful encounters. It’s a compact story, leaping back and forth between a handful of rich interiorities, and readers will be delighted to journey with the characters into the darkness of their hidden lives.
A short, captivating tale of unwanted attention.Pub Date: Nov. 1, 2022
ISBN: 978-6188607705
Page Count: 208
Publisher: Vine Leaves Press
Review Posted Online: Oct. 21, 2022
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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