ME, MO, MU, MA, & MOD

Leviant presents a surreal work of “true fiction,” set in modern-day Italy.

Narrator CL has been awarded a writing fellowship in Venice by the Committee on the Arts of the Jewish Venice Quincentenary. CL’s goal is to write about the colorful 16th-century rabbi Leone da Modena, who was also a prolific gambler and author. CL meets some intriguing figures during his stay; at a synagogue, for example, he encounters a silent woman with two different-colored eyes. It turns out the woman doesn’t speak at all, and it will take CL some time to get her to open up to him. He also meets a compelling woman from France named Mazal who calls herself “almost ultra-Orthodox”; she and CL, after some initial awkwardness, find themselves drawn to each other, despite his lack of French and her halting English. Their rapport eventually leads them to accompany each other on a visit to Padua, where she seeks to visit the final resting place of another famous rabbi. (The 11th-century Spanish Hebrew poet Shlomo ibn Gvirol also plays a surprisingly significant role in the novel.) At other points, CL encounters a jogging, multilingual rabbi and a mysterious poet who writes with a quill; with so many offbeat characters, one wonders if CL will be able to get any writing done at all. Leviant incorporates a number of intriguing, and thought-provoking points about Judaism into his story, including a discussion of whether Jewish people should visit cemeteries. There are some moments, however, that are less compelling, particularly during some of CL and Mazal’s interactions, as when he comments to her that she’s “delicious, like fresh baguette”; readers may not share Mazal’s sentiment that CL is a “laughy man.” Thankfully, this is not solely a work about oddball seduction; things take a decisively strange turn late in the story, as it turns out that there’s more to CL’s new acquaintances than expected.

An intriguingly multilayered, if slightly uneven, novel of one man’s Italian adventures.