An enjoyable, if rather leisurely, tale of Traveler life.
A college graduate reunites with his Traveler friends in Gallagher’s sequel to Lowlands (2017).
It’s been seven years since James Ward had any contact with the Dragons, an itinerant group of Travelers with Irish and British roots. He’d initially befriended them as a high schooler in New York City; now out of college, he hears from Vivien Widdershins, the Dragons’ queen. With no job prospects, James heads to Pennsylvania where the Travelers have taken up residence. He makes himself comfortable at their wooded settlement, which he dubs “Dragon Town,” but the person whom he’s most excited to see is at another nearby tribe’s encampment: Cornelia Parsons, who’s around the same age as him and was the first Traveler he met, all those years ago. As days become weeks, James helps with laundry and landscaping but he’s rather lacking at other jobs that require manual labor, such as woodwork and repair. He spends most of his time contemplating his future. He’s sure that his classics degree won’t lead to a viable career, so he seriously considers Vivien’s offer to be the Dragons’ exclusive solicitor. A permanent home with the Travelers wouldn’t be so bad; he has a fondness for their way of life, and others already think of him and Cornelia as an “item.” Before he can make a decision, though, a sudden police raid leads to the shocking deaths of two tribe members. The Dragons are distraught and worried, as there’s a possibility that one of their enemies made a false report of drug activity that led to the raid.
Gallagher delivers a winsome portrayal of Travelers in this second series installment. The Dragons are shown to display a natural kindness and welcome James into their community. Although the story centers on Dragon Town, there are some signs of discrimination from outsiders, despite the fact that Travelers do their best to keep mostly to themselves. However, the story often feels stagnant; James is essentially on vacation, and as a result, there’s minimal action. Readers may find the protagonist’s lackadaisical attitude off-putting; he boasts of a near-full-ride scholarship and being debt free, but he also deems his college major impractical without even bothering to look for work. Still, James at least appreciates his leisure, as aptly expressed in Gallagher’s unadorned prose: “I was always glad for a day’s rain or an afternoon’s downpour, to take the time to doze and listen to the heavy drops. Not to exaggerate; they didn’t work me all that hard. But it wasn’t the life I was used to.” Dragon Town, nevertheless, isn’t completely uneventful before the raid; for example, at one point, an unknown dog storms the property and seemingly targets a 4-year-old boy. In a more comical turn, James joins a Traveler to collect an overdue bill—which, in practice, necessitates stealing something of equal or lesser value. The startling deaths unsurprisingly send the plot in a new direction in later sections, which include time jumps and a clear setup for another installment.
An enjoyable, if rather leisurely, tale of Traveler life.Pub Date: May 25, 2021
ISBN: 978-1-60489-276-5
Page Count: 236
Publisher: Livingston Press
Review Posted Online: June 24, 2021
Review Program: Kirkus Indie
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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