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GOLDI ROCKS & THE THREE BEARS

The classic tale of a blonde house invader is given a new rock-’n’-roll spin.

Schwartz and Coulton use light verse to trace the beginnings of a hot new band. Papa Bear can play the drums, Mama Bear is great on guitar, and Baby Bear tickles the ivories, but none of them can hit the high notes they need to attract an audience. While they are out auditioning singers, Goldi stumbles upon their cottage-turned–recording studio. “ ‘A studio! Great balls of fire!’ / Amazed, Goldi raced through the door. / She forgot about food / and was now in the mood / to hurry on in and explore.” After trying out the various instruments, mics and headphones, she eventually falls asleep at the keyboard, where the bear family finds her drooling on the keys. Her startled scream is the perfect high C the band has been looking for. “Their albums now top all the rock charts. / A countrywide tour has been planned. / The fans scream and shout. / They’re crazy about… // Goldi Rocks and the Great Three Bear Band.” Wragg’s pencil-and–digital cartoon illustrations match the text but add little that’s new, and the limericklike verse doesn’t always scan well. Cute but not much more. (Fractured fairy tale. 5-8)

 

Pub Date: Feb. 6, 2014

ISBN: 978-0-399-25685-1

Page Count: 32

Publisher: Putnam

Review Posted Online: Nov. 30, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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DOLLY PARTON'S BILLY THE KID COMES HOME FOR CHRISTMAS

A holiday outing that doesn’t quite satisfy.

In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.

Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.

A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)

Pub Date: Oct. 1, 2024

ISBN: 9780593755006

Page Count: 40

Publisher: Penguin Workshop

Review Posted Online: Sept. 28, 2024

Kirkus Reviews Issue: Nov. 1, 2024

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THE NOTE WHO FACED THE MUSIC

Amusing but a little off tempo.

It’s important to hit all the right notes.

A tan-skinned musical composer with puffy black hair is busy at work on his next musical masterpiece when Half Note, a music symbol denoting two beats, feels unappreciated. Half Note is jealous of the more commonly used Quarter Note (one beat) and Eighth Note. Although the other musical symbols attempt to calm and comfort Half Note, she decides to run away. The next day, Composer needs Half Note and panics when he realizes that she’s gone. The other notes and musical symbols try to find her, but it’s only when they try to play her favorite song, “Twinkle, Twinkle, Little Star,” without her—with terrible results—that she comes running back. The story’s humor—which is largely based on “dad joke” puns—is completely dependent on readers’ musical knowledge. The artwork, a mix of acrylic and colored pencil, attempts to add some allegrezza to the piece, and while it’s not unsuccessful, it’s facing an uphill battle. Music teachers and musically minded caregivers may find some value in this story, but it will likely be too specialized for general readers. (This book was reviewed digitally.)

Amusing but a little off tempo. (glossary) (Picture book. 6-8)

Pub Date: March 14, 2023

ISBN: 978-1-64567-631-7

Page Count: 32

Publisher: Page Street

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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