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NINJA RED RIDING HOOD

As silly a trip to grandma’s house as there ever was.

Schwartz and Santat deliver a powerful karate chop of a picture book to fracture the familiar “Little Red Riding Hood” story.

Hot on the heels of their successful Three Ninja Pigs (2012), this tale sees the hungry wolf enrolling in karate class to add some new skills to his predatory ways. Told in verse that adopts the lilting rhythm of a limerick, the humorous text pairs with digital art that bears the mark of Santat’s animation background. The lupine antihero trains and then goes into the woods, where he encounters Little Red Riding Hood. In a familiar turn, he distracts her on her journey to Grandma’s house with a flower-picking errand—but when he races off to the cottage ahead of her, he finds that Grandma is gone. Lo and behold, when the girl arrives, she does not need a woodcutter to save her because she has trained at ninja school, too. Grandma shows up fresh from practicing tai chi just in time to see Red subdue the wolf and then extract a promise that he will become a vegetarian and take up yoga. An unfortunate mishmash of Eastern religions and traditions emerges from this tale, but the absurdity of the story’s twists and turns helps to mitigate this gaffe.

As silly a trip to grandma’s house as there ever was. (Picture book. 4-7)

Pub Date: July 10, 2014

ISBN: 978-0-399-163548

Page Count: 40

Publisher: Putnam

Review Posted Online: April 29, 2014

Kirkus Reviews Issue: May 15, 2014

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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I WILL BE FIERCE

Birdsong began her career as a teacher, and the book will find repeated use in the classroom.

A multicultural girl-power manifesto featuring a feisty young girl who faces her day as a knight on an epic quest.

The unnamed narrator puts on her “armor” (a rainbow sweater) and fills her “treasure chest” (a backpack). Venturing forth to “explore new worlds,” she drives back “dragons” (neighborhood dogs on their walk), boards the “many-headed serpent” (her school bus, with schoolmates’ heads protruding from every window), and visits “the Mountain of Knowledge” (the school library) to “solve the mysteries of the unknown.” After standing up for her beliefs—by joining a classmate sitting alone in the cafeteria—the young girl returns home to rest in the lap of an older female relative, possibly a grandparent/primary caregiver, to prepare for the next day, when she can be “fierce again.” Birdsong’s repeated refrain—“I will be fierce!”—underlines the unambiguous message of this sassy picture book, and Chanani’s bold and energetic illustrations reinforce the text’s punchy, feminist-y declarations. They depict a joyously multiracial environment, consciously tackling stereotypes with an elderly, white, female bus driver and a groovy, Asian-presenting librarian with a green streak in her hair. The fierce protagonist herself has brown skin and fluffy, dark brown hair, and her caregiver also has brown skin.

Birdsong began her career as a teacher, and the book will find repeated use in the classroom. (Picture book. 4-7)

Pub Date: April 23, 2019

ISBN: 978-1-250-29508-8

Page Count: 40

Publisher: Roaring Brook Press

Review Posted Online: March 2, 2019

Kirkus Reviews Issue: March 15, 2019

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