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WILD BABY

Great for preschool libraries and for bedtime at home.

A worried mother primate follows her impetuous child through a jungle’s pitfalls and pleasures.

Comical, cartoonlike artwork combines with the rhythm and rhyme of an easy-listening text. Every phrase and every sentence begins with the word “wild,” which makes it giggly fun for little ones. The mother and her androgynous child have bright orange, furry bodies that resemble orangutans, but their faces are humanly expressive. In fact, the clear link between how the mother’s and child’s faces are rendered and what emotions they are feeling makes this a great pick for helping children develop their emotional intelligence. Bold lines and a pastel palette create an excellent rainforest background for the mother and baby as the child fearlessly clambers around limbs and vines and the mother tries to keep up. The child’s wild behavior affects other animals, including bats, elephants, a pangolin, and—uh-oh—a leopard. Careful viewers will notice that the baby had inadvertently swung from the leopard’s tail, and now the leopard is following the baby. At the climax, readers will certainly guess the rhyming word to follow this sequence: “Wild danger! Wild trap! / Wild teeth about to….” The clever resolution to the inevitable “SNAP” is followed by an unexpectedly delightful ending. The artwork’s thoughtful biodiversity adds a dimension beyond the theme of parent-and-child relationships.

Great for preschool libraries and for bedtime at home. (Picture book. 3-6)

Pub Date: March 5, 2019

ISBN: 978-0-06-269894-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

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Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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