A grand puzzle, and grandly written at that, about shattered psyches and illicit dreams.
A companion to McCarthy’s The Passenger that both supplements and subverts it.
Alice Western—now known as Alicia, her birth certificate changed via her brother’s counterfeiter pal, John Sheddan—is a brilliant mathematician, at work on a doctorate even as a teenager. Her mind has melted, though. In this series of dialogues with a psychiatrist, she reveals herself to be thoroughly self-aware: “Mental illness is an illness. What else to call it? But it’s an illness associated with an organ that might as well belong to Martians for all our understanding of it.” Still, the seemingly very real friend she calls the Thalidomide Kid turns out to be one of many hallucinations that show up to keep Alicia company—an interesting turn, since it seems the Kid also visited her brother, Bobby, in the predecessor novel. Is Bobby’s life also a hallucination, a dream? Perhaps, for Alicia suggests that Bobby may still be lying in a coma following an auto-racing accident in Italy. For Alicia, just 20 years old, mathematics is both a defense and a curse, something she’s given up—not easily, for, as she tells Dr. Cohen, “I think maybe it’s harder to lose just one thing than to lose everything.” One thing that does seem to be uncomfortably real is her incestuous relationship with Bobby, which she reveals to Dr. Cohen in small, enigmatic bits seeded with defiant assertions that her conscience is untroubled: “I knew that I would love him forever. In spite of the laws of Heaven.” Some of her defenses melt a little toward the end, when, having revealed some of the cracks in her psyche, she asks Dr. Cohen to hold her hand—because, McCarthy writes in a characteristically gnomic phrase, “that’s what people do when they’re waiting for the end of something.”
A grand puzzle, and grandly written at that, about shattered psyches and illicit dreams.Pub Date: Dec. 6, 2022
ISBN: 978-0-307-26900-3
Page Count: 208
Publisher: Knopf
Review Posted Online: Aug. 1, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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