Read McCarthy’s novel first to appreciate the subtlety of Larcenet’s superb graphic adaptation.
A suitably dark graphic treatment of McCarthy’s post-apocalyptic masterpiece.
French artist Larcenet delivers a full 21 frames before McCarthy’s main characters, a father and his preadolescent son, speak. That’s fitting: In the original novel, the father is grimly taciturn, while the boy is full of anxious questions: Are we the good guys in the piece? Are the bad guys going to eat us? Larcenet’s landscape is the dark, dead land of nuclear winter; in an afternote, he admits to liking snow, though atop every snowbank here, it seems, there’s a corpse. Larcenet’s rendering of the father looks nothing like the Viggo Mortensen of the film, for, as he writes in an afterword, “I’ve been racking my brain to avoid any reference to the movie adaptation.” Instead, the man looks like one of the hirsute Trumpets who stormed the Capitol. But then, so do all the other grown-ups, personal hygiene having fallen victim to the irradiated world of the future. McCarthy’s story is simple: The man and the boy have to head south to find a place they hope isn’t frozen solid. On the way, wheeling a shopping cart, they have to keep their few possessions safe from scavengers while avoiding gangs of roving, cannibalistic brigands. The son remembers a few hallmarks of the old world, praying that a dead family whose larder they’ve raided “are safe in heaven.” Dad, meanwhile, is full of more instructive notes: “You forget what you want to remember and you remember what you want to forget,” he remarks amid an endless landscape of tortured corpses and detached skulls. The story, as with McCarthy’s work in general, ends happily only if you count mere survival as a satisfying resolution. Larcenet’s brooding black-and-white drawings suit the original perfectly.
Read McCarthy’s novel first to appreciate the subtlety of Larcenet’s superb graphic adaptation.Pub Date: Sept. 17, 2024
ISBN: 9781419776779
Page Count: 160
Publisher: Abrams ComicArts
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 15, 2024
For readers of the once-popular dystopian YA novels who are now all grown up.
In a distant future, after the Last War when the human population became endangered, a new society formed from the ashes, strictly to optimize procreation.
But not procreation between just anyone. This society, ruled by the Illum—a mysterious authoritarian group—assigns mates to select for the best traits and to breed out defects, to grow the Elite population living in the clouds. Protagonist Emeline is a stubborn and bored young woman, working her days away on the ground as a Minor Defect—one of the class of women waiting to be approved for mating with an Elite, and hoping to never be banished further from society. Emeline’s instincts are apparently to reject the rigid decorum of her society, but she spends years trying to follow the rules set out for her, or at least dissociates enough not to challenge her way of life, until one day an elusive and charming man, Hal, walks into her office to talk about art. The same day, she is approved for mating and matched with Collin, the youngest member of the Illum, in the sort of pairing that hasn’t happened in decades. Courtship with Collin is full of luxury—fancy dinners and balls in the clouds—but also lies and days of discovering secrets kept from her, while trying to keep the Elite’s rumors and malicious Press at bay. Caught between these two men, with their own agendas, and so many unanswered questions, Emeline must decide what she wants, if she can want anything at all. With a rebellion rising in secret and the repression of the Illum close at hand, she’ll find what she’s willing to lose for the ability to choose for herself. The dystopian worldbuilding is underdeveloped at best, so get swept up in discovering truth from lies quickly before it starts to fall apart in your hands.
For readers of the once-popular dystopian YA novels who are now all grown up.Pub Date: Oct. 14, 2025
ISBN: 9798217090990
Page Count: 416
Publisher: Ballantine
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
A philosophically charged tour de force by one of the best living novelists in English.
A gravely post-apocalyptic tale that blends mystery with the academic novel.
McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.
A philosophically charged tour de force by one of the best living novelists in English.Pub Date: Sept. 23, 2025
ISBN: 9780593804728
Page Count: 320
Publisher: Knopf
Review Posted Online: May 24, 2025
Kirkus Reviews Issue: July 1, 2025
PERSPECTIVES
PERSPECTIVES
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