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BLACK PROPHETIC FIRE

Lively, heated, fighting words—self-serious but never dull.

Keeping the social conscience burning through six different models of African-American leadership.

Spurred by the election of the first black president and the subsequent eruption of the Occupy Wall Street movement, accomplished, outspoken African-American scholar West (Pro+Agonist: The Art of Opposition, 2012, etc.) and fellow academic Buschendorf held several conversations between the summer of 2009 and January 2013 about the ongoing relevance of historic black figures. Moving from Frederick Douglass back to Ida B. Wells, the authors treat the towering and often uneven legacy of leaders who spoke out against injustice and even, like Martin Luther King Jr. and Malcolm X, died for their beliefs. West has long advocated for the importance of the “organic intellectual,” one not afraid to come down from the ivory tower and mess with “grass-roots folk,” and he admires in these six figures their relentless truth-speaking and ability to inspire others to action. Indeed, Malcolm X’s parrhesia, or “fearless speech,” in expressing black rage is West’s ideal. Similarly, he admires a critic such as Wells, born a slave, who exposed in her investigative newspaper reporting the lynching going on in the South in the 1880s when others wouldn’t touch the subject; or the galvanizing grass-roots leadership of Ella Baker, who resisted the charismatic style of King in favor of hands-on mobilizing and teaching and thus was a catalytic model for the Occupy movement. West bemoans the “deodoriz[ing]” of these radical figures—e.g., shying away from W.E.B. Du Bois’ communist sympathies and the turn toward complicity with the white mainstream. The concluding section, “Last Words on the Black Prophetic Tradition in the Age of Obama,” however, is lacking, as West aims his vitriol against the “cowardly capitulation of Black leadership to Obama’s neoliberal policies,” without a chance for vigorous rebuttal.

Lively, heated, fighting words—self-serious but never dull.

Pub Date: Oct. 7, 2014

ISBN: 978-0-8070-0352-7

Page Count: 248

Publisher: Beacon Press

Review Posted Online: July 13, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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