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LOTS OF DOTS

In his gamesome new work, Frazier shows how one shape—the simple dot—creates and shapes our world. Dots make music, are food, define weight and designate order; they help to clothe us and prompt play—they are truly everywhere! Ebullient illustrations, done in a vibrant palette with simple, clean lines, evoke Matisse cutouts. Defined by silhouette and color, the images are packed with energy and humor. The illustrator’s excellent execution of color theory offers a master class to budding artists, while racing wheels, dappled dogs, bouncing balls, bright balloons and buoyant bubbles will have young readers returning to its pages time and again. Complete with a simple, rhyming text—“some dots are heavy, / some dots are light, / some dots are colorful / and some dots are bright”—that will have toddlers asking for repeat readings, this is an entirely playful examination into what composes our world and how much is hidden in the everyday. Zingy and crisp, joyful and sprightly, this is one outstanding read. (Picture book. 2-7)

Pub Date: Nov. 1, 2010

ISBN: 978-0-8118-7715-2

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: Oct. 1, 2010

Kirkus Reviews Issue: Oct. 15, 2010

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LITTLE BLUE TRUCK'S CHRISTMAS

Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...

The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.

The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.

Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)

Pub Date: Sept. 23, 2014

ISBN: 978-0-544-32041-3

Page Count: 24

Publisher: HMH Books

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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