by Cristina Expósito Escalona ; illustrated by Miguel Ángel Díez ; translated by Jon Brokenbrow ‧ RELEASE DATE: Oct. 10, 2021
A feel-good, pay-it-forward story about sowing seeds and harvesting harmony.
Building community supplants the despair Rodrigo feels after a tornado destroys the ranch and home he inherited from his family.
The disaster leaves him devastated, with only a “little savings” and memories of familial love to sustain him. The soil is as cracked and “dry as his soul.” One morning, he awakens in a sunbeam, remembering his father’s encouragement: “You’ve got to keep going, it’s all we can do!” Inspired, Rodrigo digs, uncovering broken tools and signs of soil life. He buys seeds and new tools. With care, plants grow, reinvigorating Rodrigo with hope. Gradually, visitors drop by, and a sharing economy begins: organic produce in exchange for “a few coins, clothes, or other things to help him out.” As the land’s fertility increases, Rodrigo needs helpers and so begins providing opportunities for others. Poignantly, his generosity begets returns as the farm becomes a community: “a place where people in need came for help: a place where they could heal the wounds that nobody could see.” The farm supplies stores, restaurants, and its own farm stand; proceeds enable Rodrigo and friends to build a house for diverse workers and volunteers: “their own home.” Agreeable illustrations depict Rodrigo as a thin young man with light-brown skin, large ears, short, black hair, and triangular eyebrows. Díez uses blues and greens for crops, sky, and clothing, visually reinforcing themes of community and sustainability. This import from Spain publishes simultaneously in the U.S. with its original, Spanish-language edition.
A feel-good, pay-it-forward story about sowing seeds and harvesting harmony. (Picture book. 4-8)Pub Date: Oct. 10, 2021
ISBN: 978-84-18302-32-9
Page Count: 28
Publisher: Cuento de Luz
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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by Roberto Aliaga ; illustrated by Miguel Ángel Díez ; translated by Jon Brokenbrow
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Suzanne Lang ; illustrated by Max Lang ‧ RELEASE DATE: May 15, 2018
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his...
It’s a wonderful day in the jungle, so why’s Jim Panzee so grumpy?
When Jim woke up, nothing was right: "The sun was too bright, the sky was too blue, and bananas were too sweet." Norman the gorilla asks Jim why he’s so grumpy, and Jim insists he’s not. They meet Marabou, to whom Norman confides that Jim’s grumpy. When Jim denies it again, Marabou points out that Jim’s shoulders are hunched; Jim stands up. When they meet Lemur, Lemur points out Jim’s bunchy eyebrows; Jim unbunches them. When he trips over Snake, Snake points out Jim’s frown…so Jim puts on a grimacelike smile. Everyone has suggestions to brighten his mood: dancing, singing, swinging, swimming…but Jim doesn’t feel like any of that. He gets so fed up, he yells at his animal friends and stomps off…then he feels sad about yelling. He and Norman (who regrets dancing with that porcupine) finally just have a sit and decide it’s a wonderful day to be grumpy—which, of course, makes them both feel a little better. Suzanne Lang’s encouragement to sit with your emotions (thus allowing them to pass) is nearly Buddhist in its take, and it will be great bibliotherapy for the crabby, cranky, and cross. Oscar-nominated animator Max Lang’s cartoony illustrations lighten the mood without making light of Jim’s mood; Jim has comically long arms, and his facial expressions are quite funny.
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his journey. (Picture book. 4-8)Pub Date: May 15, 2018
ISBN: 978-0-553-53786-4
Page Count: 32
Publisher: Random House
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
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More by Suzanne Lang
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by Suzanne Lang ; illustrated by Max Lang
BOOK REVIEW
by Suzanne Lang ; illustrated by Max Lang
BOOK REVIEW
by Suzanne Lang ; illustrated by Max Lang
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