A feel-good, pay-it-forward story about sowing seeds and harvesting harmony.
Building community supplants the despair Rodrigo feels after a tornado destroys the ranch and home he inherited from his family.
The disaster leaves him devastated, with only a “little savings” and memories of familial love to sustain him. The soil is as cracked and “dry as his soul.” One morning, he awakens in a sunbeam, remembering his father’s encouragement: “You’ve got to keep going, it’s all we can do!” Inspired, Rodrigo digs, uncovering broken tools and signs of soil life. He buys seeds and new tools. With care, plants grow, reinvigorating Rodrigo with hope. Gradually, visitors drop by, and a sharing economy begins: organic produce in exchange for “a few coins, clothes, or other things to help him out.” As the land’s fertility increases, Rodrigo needs helpers and so begins providing opportunities for others. Poignantly, his generosity begets returns as the farm becomes a community: “a place where people in need came for help: a place where they could heal the wounds that nobody could see.” The farm supplies stores, restaurants, and its own farm stand; proceeds enable Rodrigo and friends to build a house for diverse workers and volunteers: “their own home.” Agreeable illustrations depict Rodrigo as a thin young man with light-brown skin, large ears, short, black hair, and triangular eyebrows. Díez uses blues and greens for crops, sky, and clothing, visually reinforcing themes of community and sustainability. This import from Spain publishes simultaneously in the U.S. with its original, Spanish-language edition.
A feel-good, pay-it-forward story about sowing seeds and harvesting harmony. (Picture book. 4-8)Pub Date: Oct. 10, 2021
ISBN: 978-84-18302-32-9
Page Count: 28
Publisher: Cuento de Luz
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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