by Cristina Rivera Garza translated by Sarah Booker ‧ RELEASE DATE: Oct. 6, 2020
A compelling work of social criticism that speaks to a desperate time.
Pensive meditation on the violence in Mexico that has compelled so many to seek refuge north of the border.
“What we Mexicans have been forced to witness at the beginning of the twenty-first century—on the streets, on pedestrian bridges, on television, or in the papers—is, without a doubt, one of the most chilling spectacles of contemporary horror,” writes Rivera Garza, a poet, critic, translator, and professor of Hispanic Studies at the University of Houston. That spectacle includes the mass murder of women in border cities, drug-fueled violence throughout the country, politically motivated killings, and smaller, less systematic incidents, including the femicide of her sister. “Soon after she was pronounced dead,” writes the author, “the Mexico City police had gathered enough evidence to issue a warrant of arrest against…an ex-boyfriend who never stopped stalking and threatening her, and who, to this day, has not paid for his crime….The war, this variously named war that still tears us apart, began, for me, on that date. Grieving, too, began its long, mercurial, transformative work.” In the face of all this bloodshed, former president Vicente Fox muttered, “Why should I care?” Fox has protection, money, and a walled estate, shields that most Mexicans do not enjoy. For all that, writes the author, everyone should care: “The dead are mine and they are yours.” Regrettably, few seem to, leading to the damaging trope that Mexicans are so often seen as “inadequate, passive, or fatalist victims.” As Rivera Garza ably demonstrates, so much of the responsibility for the violence can be attributed to the failure of the state. In the end, the slow collapse of civil society amounts to less a revolution than a “structural change” whose consequences are not yet known and “for which a vocabulary to comprehend it does not yet exist.”
A compelling work of social criticism that speaks to a desperate time.Pub Date: Oct. 6, 2020
ISBN: 978-1-936932-93-1
Page Count: 168
Publisher: Feminist Press
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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by Cristina Rivera Garza ; translated by Sarah Booker , Francisca González Arias , Lisa Dillman , Cristina Rivera Garza & Alex Ross
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by Cristina Rivera Garza ; translated by Suzanne Jill Levine & Aviva Kana
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Ta-Nehisi Coates ‧ RELEASE DATE: Oct. 1, 2024
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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