A fine collection, chilling and frequently bizarre in all the best ways.
Tales from the most surreal of shadowlands.
In novels like The Iliac Crest (2017) and The Taiga Syndrome (2018), Mexican author Rivera Garza has displayed an affinity for the mysterious: randomly encountered shadowy strangers and odd settings simultaneously out of place and out of time. This new collection of short fiction, which contains stories dating back to the 1980s along with some new ones, thankfully finds the author on familiar ground; it proves that nobody does quiet menace quite like her. In “City of Men,” a reporter finds herself in the titular metropolis, having been assigned by her editor to write a story about the city from a woman’s perspective—it’s “a place she had never wanted to go,” and as the story progresses, the reader finds out why. It’s a creepy tale that’s filled with a growing unease, and Rivera Garza handles its slow-burn narrative beautifully. A similar chilling surrealism pervades “The Date,” about an investigator on the trail of…well, something; it’s not quite clear. But it doesn’t need to be: Rivera Garza packs an impressive amount of atmospheric unease into its four pages, and the vagueness of the subject makes it even scarier. More conventional, but just as excellent, is “The Day Juan Rulfo Died,” which tells the story of a cafe meeting between two ex-partners who have “started to see each other just to criticize our current lovers.” The narrator, the reader comes to realize, isn’t as fine with their breakup as he initially lets on, admitting, “I wanted to own the world, the whole world, just to have the opportunity to wrap it up in wrapping paper and place it in her lap.” The story ends with a stunning final sentence that perfectly captures the post-romantic hopelessness and heartbreak that sometimes feel like they will never go away. The stories in this collection are as varied as Rivera Garza’s remarkable career, and this book is an excellent introduction to a unique writer who deserves to be recognized not just in Mexico, but all over the world.
A fine collection, chilling and frequently bizarre in all the best ways.Pub Date: April 1, 2022
ISBN: 978-1-948980-09-8
Page Count: 280
Publisher: Dorothy
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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