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THE WOMAN WHO LOOKED LIKE SOPHIA L.

AN E-MAIL ROMANZA

Amore, the new-fashioned way, with awkward results.

In this short e-pistolary novel, a seasoned American author, Giorgio, is caught between reality and fantasy in pursuing his infatuation with an Italian beauty.

He meets the full-lipped, bikini-clad Sofia on a beach in Parma, where he’s overwhelmed by her stunning resemblance to Sophia L. (as in film legend Loren, whose surname is never stated) and instantly smitten. She is overjoyed to discover that not only is he reading an Italian translation of the same novel she’s reading, The Yemenite Girl (the title of Leviant’s reputation-making 1977 book), but he wrote it. They flirt and hug and part as friends, with plans of seeing each other sometime again. The rest of the novel consists of emails between them in which she reveals she has two unsatisfactory relationships she is unable to end—one with her icy Finnish husband and another with a married Italian—and he shamelessly does all he can to get her to leave both men. He counts on his “surreptitious allure” doing the trick. Sofia writes in faulty English, occasioning dozens of authorial asides by Giorgio in which he pores over the possible hidden meanings of her Freudian lapses, misspellings, and shifts in her terms of endearment (“carissimi,” for example, to the less intimate “caro”). As for his own emailing difficulties: “When I wrote to her, I was split in two. My forked pen, i.e., my keyboard, said one thing while my heart/mind was thinking another.” Even with its interesting reflections on modern language and allusions to the likes of Dante, Dali, and Epicurus, the novel ultimately strains to be more than a stylistic exercise. The alternate beginning and ending aren’t needed. But the work is lifted by its wry charm and creepy cleverness. You can’t help rooting for Giorgio, sort of.

Amore, the new-fashioned way, with awkward results.

Pub Date: Feb. 20, 2024

ISBN: 9781950539918

Page Count: 188

Publisher: Dzanc

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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