More from this team would be a welcome addition to folk-tale collections.
A popular Japanese folk tale in which a crane pays back an obligation by becoming human is retold with an unusual ending and with haiku-sprinkled prose.
In this version, Yasuhiro—a young man who lives with Ryota, his embittered, widowed father—carefully frees an enormous crane from a trap pinning its foot to the snow-covered, “sharp buckwheat stubble of the landlord’s field.” As the crane flies away, Yasuhiro heads for home with firewood he has been gathering. Two nights later a beautiful maiden appears at the door, asking for a place to live in exchange for labor. Ryota accepts her offer, warning her that she must work hard and not be lazy or steal. When Ryota’s own attempts to find manual labor dwindle, the maiden, who calls herself Hiroko, offers to weave silk for him to sell, with the caveat that neither he nor Yasuhiro open the door of the weaving room while she is inside. The polished, full-color illustrations, strongly reminiscent of art by the fairy-tale illustrator Adrienne Segur, complement the lyrical text. Interspersed, color-coded haiku reveal the characters’ unspoken thoughts, adding an excellent dimension with potential for drama-group presentations. Although it’s a bit hard to believe that strapping Yasuhiro does little to bring home the tofu, the story otherwise rings satisfyingly true.
More from this team would be a welcome addition to folk-tale collections. (pronunciation guide, author’s notes) (Picture book/folk tale. 4-10)Pub Date: March 1, 2017
ISBN: 978-1-885008-57-2
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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