Next book

SHOW DON'T TELL

Astute, keen-eyed musings on lives well lived—and otherwise.

The protagonists in Sittenfeld’s second collection of short stories look back—with mixed emotions.

Though the characters here are largely middle-aged men and women reflecting on marriage, career, and friendship, few encounter anything as dramatic as a midlife crisis; these are tales of midlife contemplation. In “The Richest Babysitter in the World,” a professor finds joy in her own comparatively ordinary life even as she recalls turning down a job offer from a then-unknown Jeff Bezos–esque figure; in “Follow-Up,” an attorney awaiting medical test results reminisces about a hookup in law school. Sittenfeld’s characters—including Lee Fiora, the protagonist of her debut novel, Prep (2005), who reappears here in “Lost but Not Forgotten”—typically see the world with an almost hypervigilant level of scrutiny. Cutting remarks or seemingly innocuous gestures take on outsize meanings; characters analyze their own and others’ social positions through the prisms of wealth, artistic talent, physical attractiveness, and celebrity. Happily, the once-insecure Lee has mellowed considerably, and though her powers of observation, honed during four agonizing years at a New England prep school, haven’t been blunted, they’re no longer tinged by self-loathing. Sittenfeld’s politically themed novels have been wildly popular, and several stories use politics and contemporary issues as jumping-off points for sharp insights on human nature. “A for Alone” follows an artist attempting to make sense of the “Mike Pence rule” (the former vice president’s policy of avoiding one-on-one time with women other than his wife), while “White Women LOL” features a protagonist who displays a stunning lack of self-awareness for a Sittenfeld character—a woman dubbed “Vodka Vicky” after a video of her attempting to oust a group of Black people from a bar goes viral. While the lack of resolution of several entries may frustrate some readers, Sittenfeld’s candor and matter-of-factness make for compellingly intimate and at times wildly funny reading.

Astute, keen-eyed musings on lives well lived—and otherwise.

Pub Date: Feb. 25, 2025

ISBN: 9780593446737

Page Count: 320

Publisher: Random House

Review Posted Online: Nov. 23, 2024

Kirkus Reviews Issue: Jan. 1, 2025

Next book

THE WEDDING PEOPLE

Uneven but fitfully amusing.

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

Next book

THREE DAYS IN JUNE

Sweet, sharp, and satisfying.

Their daughter’s wedding stirs up uncomfortable memories for a divorced couple.

The day before the ceremony, the bride’s mother, Gail Baines, second in command at the Ashton School in Baltimore, learns that not only has she been passed over to replace the retiring headmistress, but the new recruit is bringing her deputy with her. The lack of people skills that have cost Gail this promotion are evident even in that initial scene; she’s a classic cranky Tyler protagonist, given to blurting out her opinions with little consideration for others’ feelings. Her first-person narration also reveals her to be touchingly vulnerable, convinced that daughter Debbie, prettier and more polished than she, will inevitably prefer husband-to-be Kenneth’s overbearing, better-off parents. Although her divorce from Max was amicable, Gail considers him a bit of a slacker, and isn’t best pleased when he turns up with a rescue cat in tow and says he has to stay with her because Kenneth is horribly allergic. A startling revelation from Debbie, fresh from her pre-wedding “Day of Beauty,” immediately divides the exes, who have very different opinions about how their daughter should handle this crisis. It also leads to Gail’s revelation of the infidelity that led to their divorce, though not in the way readers might imagine. Laid-back Max is the only fully fleshed character here other than Gail, and the novel is very short, but Tyler’s touch is as delicate, her empathy for human beings and all their quirks as evident in her 25th work of fiction as it was in her first, published an astonishing 60 years ago. Gail’s acerbic observations about the wedding and all its participants, her wistful memories of her odd-couple romance with Max, and her account of their enforced intimacy over the three days surrounding the wedding alternate to poignant effect. The closing pages offer a happy ending that feels true to the characters and utterly deserved.

Sweet, sharp, and satisfying.

Pub Date: Feb. 11, 2025

ISBN: 9780593803486

Page Count: 176

Publisher: Knopf

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

Close Quickview