by Cynthia Grady ; illustrated by Amiko Hirao ‧ RELEASE DATE: Jan. 9, 2018
A touching tribute to a woman who deserves recognition, but it’s one that should be complemented by other works.
Against the grim backdrop of the Japanese-American internment camps, white librarian Clara Breed’s compassion offered children a ray of hope and a comforting connection to the normal lives they sorely missed.
The children’s librarian at a San Diego public library, Breed had a close bond with many of her young patrons. Following the bombing of Pearl Harbor in December 1941, as these young Japanese-Americans were incarcerated with their families in harsh desert conditions, Breed corresponded with many of them, sending books and art supplies, and wrote articles and letters agitating for justice for the internees. Many pages include quotes from the children’s correspondence, now archived at the Japanese American National Museum, which testify to the power of literature to make life more bearable. The text softens the harsh realities of the times, focusing primarily on Breed as a benefactor. “The US government” is named as the enemy, with the pervasive racism and overt hostility of many ordinary Americans going unmentioned. Following the war, readers are told that some Japanese-Americans “feared that they would not be welcome in their old neighborhoods….But others…couldn’t wait to come home,” even though the fears of the former were often justified and they might well have preferred to return home too. The endpapers feature historical photographs, and the colored-pencil illustrations give a gentle, sepia-toned feel to the book. Extensive endnotes provide valuable context.
A touching tribute to a woman who deserves recognition, but it’s one that should be complemented by other works. (Picture book. 6-9)Pub Date: Jan. 9, 2018
ISBN: 978-1-58089-688-7
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Oct. 29, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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by Cynthia Grady ; illustrated by Michele Wood
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by Jennifer Dussling ; illustrated by Chin Ko ‧ RELEASE DATE: June 20, 2017
A succinct, edifying read, but don’t buy it for the pictures.
Abraham Lincoln’s ascent to the presidency is recounted in a fluid, easy-to-read biography for early readers.
Simple, direct sentences stress Lincoln’s humble upbringing, his honesty, and his devotion to acting with moral conviction. “Lincoln didn’t seem like a man who would be president one day. But he studied hard and became a lawyer. He cared about people and about justice.” Slavery and Lincoln’s signature achievement of emancipation are explained in broad yet defined, understandable analogies. “At that time, in the South, the law let white people own black people, just as they owned a house or a horse.” Readers are clearly given the president’s perspective through some documented memorable quotes from his own letters. “Lincoln did not like slavery. ‘If slavery is not wrong,’ he wrote to a friend ‘nothing is wrong.’ ” (The text does not clarify that this letter was written in 1865 and not before he ascended to the presidency, as implied by the book.) As the war goes on and Lincoln makes his decision to free the slaves in the “Southern states”—“a bold move”—Lincoln’s own words describe his thinking: “ ‘If my name ever goes into history,’ Lincoln said, ‘it will be for this act.’ ” A very basic timeline, which mentions the assassination unaddressed in the text, is followed by backmatter providing photographs, slightly more detailed historical information, and legacy. It’s a pity that the text is accompanied by unremarkable, rudimentary opaque paintings.
A succinct, edifying read, but don’t buy it for the pictures. (Informational early reader. 6-8)Pub Date: June 20, 2017
ISBN: 978-0-06-243256-8
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
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by Tomie dePaola ‧ RELEASE DATE: April 1, 1999
The legions of fans who over the years have enjoyed dePaola’s autobiographical picture books will welcome this longer gathering of reminiscences. Writing in an authentically childlike voice, he describes watching the new house his father was building go up despite a succession of disasters, from a brush fire to the hurricane of 1938. Meanwhile, he also introduces family, friends, and neighbors, adds Nana Fall River to his already well-known Nana Upstairs and Nana Downstairs, remembers his first day of school (“ ‘ When do we learn to read?’ I asked. ‘Oh, we don’t learn how to read in kindergarten. We learn to read next year, in first grade.’ ‘Fine,’ I said. ‘I’ll be back next year.’ And I walked right out of school.”), recalls holidays, and explains his indignation when the plot of Disney’s “Snow White” doesn’t match the story he knows. Generously illustrated with vignettes and larger scenes, this cheery, well-knit narrative proves that an old dog can learn new tricks, and learn them surpassingly well. (Autobiography. 7-9)
Pub Date: April 1, 1999
ISBN: 0-399-23246-X
Page Count: 58
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1999
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by Cheryl B. Klein ; illustrated by Tomie dePaola
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