Newbery Medalist Rylant and Goode collaborate again for the first time since their Caldecott Honor Book, When I Was Young in the Mountains (1982). This offering also explores the experiences of a little girl who leads an old-fashioned life in a cozy home with her grandparents (as did Rylant for several years of her childhood). In first-person narrative, the unnamed little girl and her grandparents prepare for a traditional but simple Christmas: putting up lights, decorating the tree, attending church, opening a few presents early Christmas morning, and welcoming guests for Christmas dinner. Goode’s loose watercolor-and-ink illustrations help create a cheery, comfortable home in which the little girl is tenderly loved and cared for. The child knows that Christmas will unfold each year in just the same ways with the predictability of family tradition that all children love. The setting and time period are not specified: somewhere in a place with hills and lots of snow and tolerance for an integrated community, as the family attends an integrated church and includes African-American friends in their Christmas dinner plans. The time period could be anywhere from the 1930s to the ’50s, but it’s definitely a much calmer and simpler time when a quiet, meaningful Christmas was within everyone’s reach. A serene and soothing look at the holiday, just right to share with a child while sipping cocoa and nibbling Christmas cookies. (Picture book. 3-5)
Pub Date: Oct. 1, 2002
ISBN: 0-439-07334-0
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
Lola’s daddy takes her to the library every Saturday, where she finds “excellent books,” and every night her mommy or daddy reads them to her. The next day Lola acts out the story. On Sunday she’s a fairy princess; on Monday she takes her toy animals “on fantastic trips to places like Paris”; on Wednesday she’s a tiger, etc. Each new book and day provides Lola with a variety of tales to play out, with the last one—which is about a wild monster—posing the question, “What will Lola be tomorrow?” The final page shows her in a wolf suit just like Max’s. The library books, the pretending and the incorporation of the days of the week work together as a simple and pleasing premise. Beardshaw’s acrylic illustrations depict the multicultural kids and Lola’s black family with childlike charm, while the title will have librarians, parents and booksellers smiling. Alert: The book will be an invitation for lap kids to follow Lola’s lead—not such a bad thing. (Picture book. 3-5)
Pub Date: July 1, 2010
ISBN: 978-1-58089-258-2
Page Count: 28
Publisher: Charlesbridge
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: June 1, 2010
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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