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LUDIE’S LIFE

Readers familiar with Rylant’s work from their childhoods will feel comfortably familiar with the setting of this narrative. Some will recognize the “relatives” or the mountains or cups of coffee at the kitchen table and other autobiographical tidbits that have appeared in the body of the author’s work. Like so many others, this shares a spellbinding voice of the storyteller whose simple language and quiet voice manage to unfold a story resonant and meaningful on multiple levels. A novel-in-verse, this traces Ludie’s life from her birth in Alabama in 1910, until she dies at age 95 in West Virginia. She marries Rupe when he’s 15, because he’s “tall and kind.” Rupe secures work as coal miner in West Virginia and they move to start their lives together. She doesn’t tell her story chronologically, and there is no plot to speak of. It’s a near elegy celebrating a special character, a woman who practiced what she preached, and the special, if not basic, life she led. The narrative is often a collection of Zen-like moments of self-discovery and serenity. Of course, Rylant can’t resist an occasional thinly disguised critique of contemporary American culture, where so many are lonely and disconnected from family. Ludie might not have had much money, but she was never lonely. A powerful read for young and old alike. (Fiction. 12+)

Pub Date: Nov. 1, 2006

ISBN: 0-15-205389-1

Page Count: 112

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2006

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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