This adequate but unnecessary new version could be left sleeping on the shelf.
This version of the oft-told story opens with a fusty philosophical frontispiece: “Many see Time as a friend, and many see Time as a foe. But for a sleeping beauty, Time was a promise.”
With no source information or attribution to Perrault, the clear, readable, but unadorned text generally follows the first part of the French version, up to the awakening of Sleeping Beauty (a kiss on the hand here but just the end of the enchantment in the original). A few other details vary: the princess finds the old woman spinning in a little cottage rather than in a castle upper room, and here the girl’s parents ask to be put to sleep along with all the courtiers. (In the original they leave the castle.) Rylant’s name is a draw, but the text is not distinguished. The painterly, digital illustrations have a modern Disney-esque feeling but are not actively linked to the 1959 movie or Maleficent. The seven invited fairies have different skin tones. Described as old by Perrault, the eighth, uninvited fairy, responsible for the curse, has angry features some may read as Asian (there is no “good” Asian fairy) and looks just a bit older than the others, who resemble cute young teens. The princess and her parents are white, and the prince is also pale-complexioned.
This adequate but unnecessary new version could be left sleeping on the shelf. (Picture book/fairy tale. 5-8)Pub Date: June 6, 2017
ISBN: 978-1-4231-2108-4
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
A jam-packed opener sure to satisfy lovers of the princess genre.
Ice princess Lina must navigate family and school in this early chapter read.
The family picnic is today. This is not a typical gathering, since Lina’s maternal relatives are a royal family of Windtamers who have power over the weather and live in castles floating on clouds. Lina herself is mixed race, with black hair and a tan complexion like her Asian-presenting mother’s; her Groundling father appears to be a white human. While making a grand entrance at the castle of her grandfather, the North Wind, she fails to successfully ride a gust of wind and crashes in front of her entire family. This prompts her stern grandfather to ask that Lina move in with him so he can teach her to control her powers. Desperate to avoid this, Lina and her friend Claudia, who is black, get Lina accepted at the Hilltop Science and Arts Academy. Lina’s parents allow her to go as long as she does lessons with grandpa on Saturdays. However, fitting in at a Groundling school is rough, especially when your powers start freak winter storms! With the story unfurling in diary format, bright-pink–highlighted grayscale illustrations help move the plot along. There are slight gaps in the storytelling and the pacing is occasionally uneven, but Lina is full of spunk and promotes self-acceptance.
A jam-packed opener sure to satisfy lovers of the princess genre. (Fantasy. 5-8)Pub Date: June 25, 2019
ISBN: 978-1-338-35393-8
Page Count: 128
Publisher: Scholastic
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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