Enny and Orph are friends in grade school; bright and idiosyncratic, both are outcasts, but Orph helps Enny learn to face down the bullies who torment her with stories full of hate and pain. In the next of five chapters that move ever deeper into Orph's story, and its resonance with the myth of Orpheus, Enny describes their reunion in their teens, when she becomes Orph's manager. She helps Orph break away from an unsavory band (her hit is "It Makes Me Sick"—she literally vomits); they gather three more musicians and, in believable detail, become a success. Meanwhile, Orph falls in love with Yuri, a recovering addict, as lyrically recounted in chapter three; seeing her vomit on stage makes him realize that she voices his own angst and propels him to a cure; friends, then lovers, they decide to marry. Since each chapter covers a similar period (though the focus grows more intimate), the tragic conclusion is foreshadowed several times before the full account of the wedding, when Yuri's old "friends" trick him into taking drugs and lead him irretrievably away; and when Orph expresses her grief in concert, she is crushed by her mesmerized fans. The parallels here are intriguing; more, they enrich the modern tragedy. The mythic quality is enhanced by Voigt's carefully controlled focus: the luxuriant details of family and setting that she usually includes have been scrupulously excised. A powerful novel—brief and deceptively easy to read—that's fashioned with imagination and skill. (Fiction. 14+)
Pub Date: Oct. 30, 1992
ISBN: 0-689-31771-9
Page Count: 120
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1992
A thrilling, high-tech page-turner with deep roots.
A teen navigates different worlds: real and virtual, colonized and Indigenous.
In the near-future real world, Bugz’s family has clout in the community—her mom is their first modern-day woman chief, her father’s a highly admired man, and her older brother is handsome and accomplished. Socially awkward Bugz, by contrast, feels more successful in the virtual gaming world of the Floraverse, where she has amassed tremendous power. Yes, her ’Versona has a slimmed-down figure—but Bugz harnesses her passion for the natural world and her Anishinaabe heritage to build seemingly unbeatable defenses, especially her devoted, lovingly crafted Thunderbird and snake/panther Mishi-pizhiw. Cheered on by legions of fans, she battles against Clan:LESS, a group of angry, misogynistic male gamers. One of them, Feng, ends up leaving China under a cloud of government suspicion and moving to her reservation to live with his aunt, the new doctor; they are Muslim Uighurs who have their own history of forced reeducation and cultural erasure. Feng and Bugz experience mutual attraction—and mistrust—and their relationship in and out of the Floraverse develops hesitantly under a shadow of suspected betrayal. Kinew (Anishinaabe) has crafted a story that balances heart-pounding action scenes with textured family and community relationships, all seamlessly undergirded by storytelling that conveys an Indigenous community’s past—and the vibrant future that follows from young people’s active, creative engagement with their culture.
A thrilling, high-tech page-turner with deep roots. (glossary, resources) (Science fiction. 14-18)Pub Date: Sept. 14, 2021
ISBN: 978-0-7352-6900-2
Page Count: 296
Publisher: Penguin Teen
Review Posted Online: June 23, 2021
Kirkus Reviews Issue: July 15, 2021
PERSPECTIVES
A thoughtful portrayal of determined multinational teens balancing authenticity with pursuing their dreams.
Who doesn’t want to be a K-pop idol?
Fifteen-year-old Candace Park is just a typical Korean American teen from Fort Lee, New Jersey. She loves hanging out with her friends Imani and Ethan while watching RuPaul’s Drag Race, mukbang shows about eating massive amounts of Korean food, and advice from beauty vloggers. While Candace focuses on doing well in school, her hardworking immigrant Umma and Abba gave up on their own dreams to run a convenience store. Candace loves to sing and is a huge K-pop stan—but secretly, because she fears it’s a bit stereotypical. Everything changes after Candace and her friends see an ad for local auditions to find members of a new K-pop group and Candace decides to try out, an impulse that takes her on the journey of a lifetime to spend a summer in Seoul. Lee’s fun-filled, fast-paced K-pop romp reads like a reality show competition while cleverly touching on issues of racism, feminism, unfair beauty expectations and labor practices, classism and class struggles, and immigration and privilege. While more explanation of why there are such unfair standards in the K-pop industry would have been helpful, Lee invites readers to enjoy this world and question the industry’s actions without condescension or disdain. Imani is Black; Ethan is White and gay.
A thoughtful portrayal of determined multinational teens balancing authenticity with pursuing their dreams. (Fiction. 14-18)Pub Date: Sept. 15, 2020
ISBN: 978-1-338-63993-3
Page Count: 320
Publisher: Point/Scholastic
Review Posted Online: June 24, 2020
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
PERSPECTIVES
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