A strong offering that brings nuance and multiplicity to readers attempting to decipher the black male urban experience...
Watkins (The Cook Up: A Crack Rock Memoir, 2016, etc.) anchors his new collection of essays in the voices, language, everyday realities, and dreams of black citizens of his home East Baltimore neighborhood.
“In the midst of all the black narratives stacked on bookshelves, we have a problem—a major problem,” writes the author. “People from the street are absent from them.” As an emergent writer with a background in the streets, he found himself a piece of “celebrity” after landing a viral essay with Salon. The author continues to offer deep critiques of the elitism and respectability that directly and indirectly censor voices of the multitudes of black experience, and he explores what it means to be accountable to his people in his writings. While these communities are overtly susceptible to the imposed hurdles of systemic racism, their experiences and worldviews don’t easily conform to the #StayWoke packaging of mainstream black-led protest movements. As such, Watkins stresses the importance of letting more people speak for themselves and combining voice with action on a wide variety of institutional and structural forces that impede black progress. He touches on topics such as education, policing, food deserts, poor housing, drug markets, structural poverty, and more. “The days of one black savior are over,” he writes. “Most of the people who identify as black leaders in the mainstream are too famous to directly interact with the people who need them the most. I learned to rethink what a leader is, what a mentor is, and how to be a valuable ally.” Ultimately, being driven by “a whole lot of love” has allowed him to realize that the greatest rewards lie within the work. As he writes, he is “blessed in being able to try” as he continues to bring East Baltimore to the world.
A strong offering that brings nuance and multiplicity to readers attempting to decipher the black male urban experience while uplifting the stories, visions, and love that incubated a rising star.Pub Date: April 23, 2019
ISBN: 978-1-5011-8782-7
Page Count: 208
Publisher: Atria
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
PROFILES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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