A thrilling detective story with a sprinkling of werewolves—who could ask for more, really?
A shape-shifter teams up with the FBI to take down a criminal organization.
Terri Watson is a hardworking and slightly harried agent for the FBI in Philadelphia, specializing in organized crime. Along with her partner, Marc Peterson, Terri has been investigating a ring of Russian mobsters led by Konstantin Kretzky. Concurrently, a series of murders have been committed in the city in which the victims appear to have been torn apart by wild dogs. While in pursuit of Dieter, a money launderer working with the Russian mob, Terri and Marc witness a beast attacking their perp and begin entertaining the idea of werewolves. Alex Stepanova, a local university professor, wakes in a lab after being experimented on by Russian scientists to discover she possesses the power of shape-shifting. Alex becomes a sort of vigilante werewolf, targeting “bad boys,” many of whom seem connected to the Russian mob as well. After Terri and Marc learn about Alex, the three team up and work together to bring down their targets. Werkmeister’s story is engaging, with a couple of surprising twists, the biggest being the inclusion of lycanthropy in a police procedural (the refreshing premise is sufficiently rooted in realism to feel believable). The prose is accessible—not too descriptive, but rather spare and direct—and the story is well paced. The characters are enjoyable, though Alex is undeniably the most intriguing; fleshing out the other players a bit more would be appreciated, but Terri and Marc are still engaging, particularly in their moments of humor (“I am not going to be Dana Scully to your Fox fucking Mulder, all right?”). The glimpses into their personal lives further endear them to readers. The ending, though satisfying, feels a tad abrupt and underwhelming. Still, Werkmeister’s unique premise, paired with a tried-and-true crime drama, makes for an enjoyable mad-scientist formula.
A thrilling detective story with a sprinkling of werewolves—who could ask for more, really?Pub Date: Jan. 29, 2024
ISBN: N/A
Page Count: 269
Publisher: Self
Review Posted Online: Jan. 10, 2024
Kirkus Reviews Issue: March 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.
Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.
The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.Pub Date: Nov. 5, 2024
ISBN: 9781668003138
Page Count: 320
Publisher: Atria
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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