by Dan Green ; illustrated by Basher ‧ RELEASE DATE: July 22, 2014
Chatty, formulaic, superficial—and dispensable, as the content is neither reliable nor systematic. .
Sprouting bodies and grins, the states introduce themselves alphabetically in this Basher History gallery.
Following the series’ cast-in-stone design, each entry poses in a cartoon portrait with small emblems representing prominent physical features, industry, number of native U.S. presidents and other select distinctions. On opposite pages, a hearty self-description dominates: “Aloha! Come and hang ten with me, dude. I’m a bunch of chilled-out islands in the Pacific, but I have a fiery heart.” This is sandwiched between bulleted lists of superficial facts, from state bird, flower and nickname to (for Arkansas) “Known for diverse landscape, extreme weather, and Walmart.” U.S. territories bring up the rear, followed by a table of official state mottos and, glued to the rear cover, a foldout map. Along with out-and-out errors (a mistranslation of “e pluribus unum”) and unqualified claims (Boston built the first subway), Green offers confusing or opaque views on the origins of “Hawkeye,” “Sooners,” some state names and which of two “Mississippi Deltas” was the birthplace of the blues. Furthermore, a reference to “sacred hunting grounds” in West Virginia and Kentucky’s claim that “It wasn’t until pioneer Daniel Boone breached the Cumberland Gap…that my verdant pastures were colonized” are, at best, ingenuous.
Chatty, formulaic, superficial—and dispensable, as the content is neither reliable nor systematic. . (index, glossary) (Nonfiction. 10-12)Pub Date: July 22, 2014
ISBN: 978-0-7534-7138-8
Page Count: 128
Publisher: Kingfisher
Review Posted Online: May 27, 2014
Kirkus Reviews Issue: June 15, 2014
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by Mary-Jane Knight & illustrated by Philip Chidlow ‧ RELEASE DATE: Sept. 18, 2012
Undisguised ephemera.
With help from a CD-sized cardboard decoder disk, young archaeologists can discover for themselves that the ancient Atlantean language was actually English.
Threaded together along a thin and thoroughly predictable plotline involving a fictional 19th-century submarine expedition to the Mediterranean, this low-budget item assembles a hodgepodge of facts about Minoans and mazes, underwater archaeology, mapmaking history and theories about Atlantis. It lays these out along with easily spotted “clues” to the legendary island’s location on old documents and artifacts. Many of said clues are short messages slightly hidden behind a substitution code that uses modified Roman capitals. Exceptionally lazy readers can skip to the end to find the translations, along with solutions to other conundrums posed during the expedition’s contrived misadventures. Printed on heavy stock with an occasional side flap, the spreads all offer a visual jumble of narrative blocks, small historical images, photos of live models in period dress and new art to fill in the gaps.
Undisguised ephemera. (Novelty. 10-12)Pub Date: Sept. 18, 2012
ISBN: 978-0-7534-6680-3
Page Count: 48
Publisher: Kingfisher
Review Posted Online: June 26, 2012
Kirkus Reviews Issue: July 15, 2012
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by Francisco Serrano ; illustrated by Pablo Serrano ‧ RELEASE DATE: Oct. 16, 2012
An inventive introduction to a fascinating historical figure.
Another collaborative effort by the team that created The Poet King of Tezcoco: A Great Leader of Ancient Mexico (2007) chronicles the life of a controversial figure in pre-colonial Mesoamerica.
The indigenous woman who would serve as Hernán Cortés’ interpreter and companion was born in the early 1500s as Malinali and later christened Marina. She is now called La Malinche. Besides serving as translator to the Spaniard, she also gave him advice on native customs, religious beliefs and the ways of the Aztec. While Marina’s decision to help the Spanish in their often brutal quest for supremacy has led to many negative associations, others see her as the mother of all Mexicans, as she and Cortés had the first recorded mestizo. Although many of the details surrounding the specifics of Marina’s life were unrecorded, Serrano strengthens the narrative with quotations by her contemporaries and provides a balanced look at the life of a complicated, oft-maligned woman. Headers provide structure as events sometimes shift from the specific to the very broad, and some important facts are glossed over or relegated to the timeline. Reminiscent of pre-colonial documents, the illustrations convey both Marina’s adulation of Cortés and the violence of the Spanish conquest, complete with severed limbs, decapitations and more.
An inventive introduction to a fascinating historical figure. (map, chronology, glossary, sources and further reading) (Nonfiction. 10-12)Pub Date: Oct. 16, 2012
ISBN: 978-1-55498-111-3
Page Count: 40
Publisher: Groundwood
Review Posted Online: Sept. 11, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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by Francisco Serrano & illustrated by Pablo Serrano & translated by Trudy Balch
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