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ESSEX DOGS

An enjoyable romp through the darkest of ages.

A historical saga about a motley crew of English fighters making life miserable for the French during the early days of the Hundred Years’ War.

Ten strong when they land in Normandy in 1346, the Essex Dogs, as the crew is called, are led by Loveday FitzTalbot, a faded veteran struggling with deep personal losses. A colorful and contrary mix of English, Welsh, and Scots, the Dogs range from the temperamental Father, whose days of preaching were already long past when he suffered brain damage from a falling roof tile, to Romford, a young, cocksure archer who has a habit of getting in trouble. Their job in Normandy is to first find the enemy—not always easy considering "the ingenious French tactic of fleeing at the first sight of trouble"—and then rout them. When the English and French armies do meet, as in Caen, rivers of blood are spilled. Loveday, who must rely on his wits as much as his sword to survive, must also contend with his newly developing conscience. An impeccably researched "you are there" novel with a real-time approach, Jones' entertaining fiction debut (following nonfiction books including Crusaders, 2019) moves episodically from encounter to life-threatening encounter. For all its violence, the book hums with black humor. Jones is at his best when humor and violence come together: "The head flew off, tumbled once in the air and landed by Loveday's face, so that they were almost nose to nose. Its eyes seemed to widen hugely, then the eyelids fluttered closed." Retrieving three knights' publicly displayed skulls in Paris against all odds is an undertaking that's as much fun as a good heist scene. It will be hard to top those scenes in Jones' planned sequels.

An enjoyable romp through the darkest of ages.

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-65378-4

Page Count: 448

Publisher: Viking

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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