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ROBIN ROBIN

This story makes a wonderful defense of chaos without being the least bit chaotic.

Any character in this picture book could be the main character in a different book.

Robin often speaks in rhyme: “Leave no trace, go tiptoe pace.” The mice who adopted her when her egg fell out of a nest speak mostly in short sentences, mostly about food, with exclamation points at the end: “Breadcrumbs!” “Pie crumbs!” “Cookie crumbs!” The book as a whole is technically a holiday story, but it’s the least Christmassy of Christmas books. The tree is mostly an excuse for Magpie to collect shiny objects, like the “Chrim-Cross Star” on top. All the different writing styles could make the book feel disjointed, but instead it becomes a statement of identity: “ ‘Hey, over here, look at me!’ [Robin chirps], flapping and singing as loudly as a BIRD.” Smith has made Robin a different color than every other character in the book, and it gives her an excuse to try out a rich and layered tint of red. If Rembrandt and Edward Sorel worked together on a picture book, it would look like this. (The book is based on a musical special from Aardman Animations, which, appropriately enough, is animated in a slightly different style, à la Wallace & Gromit.) By the end, Magpie gets a star, and the mice get three different kinds of crumbs.

This story makes a wonderful defense of chaos without being the least bit chaotic. (Picture book. 4-8)

Pub Date: Nov. 2, 2021

ISBN: 978-1-63655-009-1

Page Count: 32

Publisher: Red Comet Press

Review Posted Online: Sept. 23, 2021

Kirkus Reviews Issue: Oct. 15, 2021

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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