A multilayered, modern-day parable reminding readers there’s no greater gift than the present.
A car trip to visit Grandma on her birthday feels like “an eternity.” What happens when you just get too bored?
Most parents on a car trip have heard the titular question, but in Caldecott medalist Santat’s hands, the familiar trip becomes an unforgettable romp through time and space. As the moment of absolute boredom reaches “forever,” a clever twist forces readers to turn the book upside down and read “backward,” time also going backward. The family car travels back to the Wild West, the days of Blackbeard, medieval Europe, and ancient Egypt. As the parents grow increasingly anxious (jousting was not part of their plan), the oblivious kid in the back continues to whine, finally noticing the moment the car is in when it reaches the age of the dinosaurs. In another literal turn of the book, time now flies by too quickly. The family and other fellow time travelers—met in moments of boredom—hurtle through time into the future, arriving at Grandma’s address only to find her home is no longer there, and they have missed the party. But not to worry, it is only the mind playing tricks. Employing both comic-book–style panels and full-bleed spreads, the mixed-media illustrations are full of humor, and the changes in point of view keep the telling dynamic and engaging. Mom is white, Dad slightly darker-skinned, and the party guests (when they finally arrive) are thrillingly diverse if mostly a bit long in the tooth.
A multilayered, modern-day parable reminding readers there’s no greater gift than the present. (Picture book. 5-8)Pub Date: April 12, 2016
ISBN: 978-0-316-19999-5
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Feb. 1, 2016
Kirkus Reviews Issue: Feb. 15, 2016
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on...
Continuing from their acclaimed Those Shoes (2007), Boelts and Jones entwine conversations on money, motives, and morality.
This second collaboration between author and illustrator is set within an urban multicultural streetscape, where brown-skinned protagonist Ruben wishes for a bike like his friend Sergio’s. He wishes, but Ruben knows too well the pressure his family feels to prioritize the essentials. While Sergio buys a pack of football cards from Sonny’s Grocery, Ruben must buy the bread his mom wants. A familiar lady drops what Ruben believes to be a $1 bill, but picking it up, to his shock, he discovers $100! Is this Ruben’s chance to get himself the bike of his dreams? In a fateful twist, Ruben loses track of the C-note and is sent into a panic. After finally finding it nestled deep in a backpack pocket, he comes to a sense of moral clarity: “I remember how it was for me when that money that was hers—then mine—was gone.” When he returns the bill to her, the lady offers Ruben her blessing, leaving him with double-dipped emotions, “happy and mixed up, full and empty.” Readers will be pleased that there’s no reward for Ruben’s choice of integrity beyond the priceless love and warmth of a family’s care and pride.
Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on children. (Picture book. 5-8)Pub Date: Oct. 4, 2016
ISBN: 978-0-7636-6649-1
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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