Next book

DARWIN’S BLADE

Peppered with amusing descriptions of accidents, some reminiscent of urban legends: a solid bit of entertainment, and Dar a...

A smart, well-researched thriller, heavy on macho accessories like sniper rifles and sports cars, from Hugo Award–winning, genre-hopping Simmons (The Crook, 1999, etc.).

Like Stephen Hunter in his Bob Lee Swagger novels, Simmons makes good use of the Spartan mystique of the sniper in Dr. Darwin Minor, his loner p.i. update. Dar, something of a throwback hero—smarter, quicker, and tougher than everybody else, but multidimensional enough to make it work—is an ex-Marine who employs his physics degree as an accident-reconstruction specialist for insurance investigators. Cynical and distant for good reason—fired from the National Transportation Safety Board for revealing unpleasant truths about the Challenger disaster, he now reads the Stoics for comfort after the death of his wife and child—Dar is friendly only with his employers, Lawrence and Trudy Stewart, crack husband-and-wife insurance investigators. An attractive and highly competent woman by the name of Sydney Olson, an inspector for the State A.G. and head of an anti–insurance-fraud task force, approaches Dar after someone has tried to kill him. Syd has uncovered a nationwide fraud scheme involving the Russian mob, Mexican illegals, and highly placed American lawyers—and Dar's work has uncovered some recent accidental deaths to be the homicidal handiwork of the ring. He's marked for elimination, which makes him the perfect bait for Syd's trap. Though an initially hesitant romance blossoms, Syd and Dar have professional differences: he doesn't like being watched over by police, nor does he want to be bait. But as hit-men come closer, Dar is forced to play along. Ultimately, he’ll have to use his sniper skills to save both his own life and Syd's, allowing for an outstanding flashback to his last, besieged, days in Vietnam.

Peppered with amusing descriptions of accidents, some reminiscent of urban legends: a solid bit of entertainment, and Dar a likely prospect for a series.

Pub Date: Nov. 1, 2000

ISBN: 0-380-97369-3

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

Awards & Accolades

Likes

  • Readers Vote
  • 229


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 229


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 36


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

Likes

  • Readers Vote
  • 36


  • New York Times Bestseller


  • IndieBound Bestseller

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

Close Quickview