A solid, soaring survey.
To unpack the equation “engineering = science + art,” a quartet of pontists survey and explain bridge design.
Taking a worldwide tour that goes from a fallen log across a stream in Kenya’s Aberdare National Park to the 164.8-kilometer-long Danyang-Kunshan Grand Bridge, the four guides point out salient features of dozens of bridges ancient and modern while pausing to explain loads and forces, analyze materials, give the nod to historical disasters like the Tay Bridge collapse (inviting young experimenters to test model bridges of their own), and, importantly, marvel at the beauty as well as the utility of well-designed, well-placed bridges. The cast is a diverse lot—ranging from Trudy, a light-skinned retired science teacher who zooms through the chapter on truss bridges on a tricycle, to Black-presenting fifth grader Spence, who hangs with suspension bridges—and their enthusiasm is so contagious that by the end readers willing to linger over Zettwoch’s exactly drawn structures will not only view bridges in their own locales with fresh appreciation, but have no trouble distinguishing a corbel arch from a Warren pony truss.
A solid, soaring survey. (glossary, bibliography) (Graphic nonfiction. 11-14)Pub Date: July 19, 2022
ISBN: 978-1-250-21690-8
Page Count: 128
Publisher: First Second
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
A neatly coherent account with tweaks that allow readers some emotional distance—but not enough to shrug off the war’s...
In the latest of his Hazardous Tales (One Dead Spy, 2012, etc.), Hale recaps World War I with an all-animal cast.
Any similarities to Art Spiegelman’s Maus are doubtless coincidental. Per established series formula, a frame tale finds the author’s more-renowned namesake holding off the hangman, Scheherazade-like, with tales from our country’s future history. In this volume, he covers the war’s prelude, precipitation, major campaigns and final winding down in small but reasonably easy-to-follow two-color panels. At the hangman’s request, narrator Hale both tucks in a few jokes and transforms the opposing armies into animal-headed soldiers—from Gallic roosters and British bulldogs to, as “eagle” was already taken by the Germans, American bunnies. Despite lightening the load in this manner and shying away from explicit brutality, Hale cogently conveys the mind-numbing scale of it all as well as the horrors of trench warfare. He presents with equal ease the strategic and tactical pictures, technological innovations from poison gas to tanks, and related developments such as the Russian Revolution. After the cease fire, which he attributes more to exhaustion than battlefield victory, he closes with a summary of the war’s human toll and geopolitical changes.
A neatly coherent account with tweaks that allow readers some emotional distance—but not enough to shrug off the war’s devastating cost and world-changing effects. (bibliography) (Graphic nonfiction. 11-13)Pub Date: May 13, 2014
ISBN: 978-1-4197-0808-4
Page Count: 128
Publisher: Amulet/Abrams
Review Posted Online: April 15, 2014
Kirkus Reviews Issue: May 1, 2014
An unusually personal view of World War I’s early days, conveyed by new illustrations grafted to a French soldier’s chance-found diary.
Dated Aug. 3 to Sept. 5, 1914, the anonymous diary tersely records mustering, train rides, weary marches, efforts to scrounge up provisions and billeting, much digging of trenches, and advances and retreats under enemy artillery fire. Aside from occasional thoughts of family left behind, the writer’s observations are detached in tone—even gruesome sights of a human leg caught in a tree and heavily wounded patients in a hospital ward are only noted in passing. Along with portraying how he rescued the account from a pile of curbside rubbish, Barroux illustrates the diary with large panels of heavy-lined drawings made with butcher’s pencil and a pale yellow varnish wash. Most depict somber figures in uniform, drawn with geometrical noses that give them the look of puppets or mannequins, trudging through sheets of rain or sketched rural settings. The diary’s abrupt end leaves the writer wounded but complaining of boredom as he recuperates; the artist closes with sample pages from a handwritten album of songs found with the document. In a passionate introductory note, Michael Morpurgo invites readers to “weep” over these glimpses of war. American children, at least, may not shed many tears, but they should come away feeling closer to understanding what that century-old conflict must have been like to those who fought in it. (Graphic memoir. 11-14)
Pub Date: July 1, 2014
ISBN: 978-1-907912-39-9
Page Count: 96
Publisher: Phoenix/Trafalgar
Review Posted Online: May 3, 2014
Kirkus Reviews Issue: May 15, 2014
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