Clear revelations about how abuse of congressional power and political dysfunction have never been so egregious.
An up-close look at the "clown show" of right-wing extremists who continue to fail to govern in Congress.
Washington Post columnist Milbank, a veteran Capitol Hill observer and author of The Deconstructionists and O Is for Obama, resolved to limit his journalistic focus to the House of Representatives. His weekly essays from 2023 to early 2024 form the basis of this collection, enhanced by additional reporting, analysis, and context. The author presents the chaos, incompetence, and self-created crises in the House in three parts: Disinformation, Dysfunction, and Disunion. He explains how GOP gerrymandering created House seats from uncompetitive districts, enabling the "craziest SOBs" to hold the balance of power. Anyone following the past two years of national news will remember the lowlights: Kevin McCarthy's path to the Speakership over 15 ballots and capitulation to the "fringiest elements of the right wing"; the near-default on the federal debt, "playing chicken with the American economy”; threats of government shutdown; the only speaker ousted in U.S. history; and the resulting three-week “free-for-all” search for a new speaker. Election denier Mike Johnson has created his own record of failure and dysfunction, killing a bipartisan border deal and endangering U.S. aid to Ukraine and Israel. Much else from this dismal era of congressional misrule will be familiar to citizens who have been paying attention: national leaders legitimizing white nationalism and demonizing immigrants, or the obsessive impeachment inquiry into Joe Biden without "a shred of evidence." Milbank brings useful detail and nuance to his portrait of this broken political system. For example, we learn that Matt Gaetz left a draft of his "Motion to Vacate" the Speaker on a changing table in a Capitol restroom and that Marjorie Taylor Greene thought "indictable crimes" was pronounced "indicktable."
Clear revelations about how abuse of congressional power and political dysfunction have never been so egregious.Pub Date: Sept. 24, 2024
ISBN: 9780316570923
Page Count: 320
Publisher: Little, Brown
Review Posted Online: June 21, 2024
Kirkus Reviews Issue: Aug. 1, 2024
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
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