The emotional impact these events had on individuals will certainly resonate, but understanding the conflict at large may...
This verse novel uses alternating narrators to document three siblings’ flight from the 1915 Armenian genocide.
The Donabedian family’s Christian faith makes them a target of the Ottoman Empire’s genocide. When violence erupts, the parents barely manage to create a diversion that allows three of their children to escape to the mountains. With meager food supplies and only vague directions on how to reach safety, the children’s courage is tested. But unexpected sources provide help, most notably Ardziv, an eagle who both occasionally provides scavenged food and narrates events from his aerial perspective. This device does help illuminate the broad scale of the government’s brutality, but Ardziv also complicates the question of the author’s intended audience. While the novel’s graphic violence lends itself to more mature readers, they may view the eagle’s narration and assistance with skepticism. The verse is often powerful, especially in its use of repetition, but it does not provide the author with much textual opportunity to fully explain the nature of the ethnic and religious conflict. From a design perspective, it’s unfortunate that the information provided on the opening map reveals that the siblings survive and make it to New York, which may diminish the novel’s tension for many readers.
The emotional impact these events had on individuals will certainly resonate, but understanding the conflict at large may still require supplemental reading. (Historical fiction. 14-18)Pub Date: Nov. 11, 2014
ISBN: 978-0-385-74397-6
Page Count: 368
Publisher: Delacorte
Review Posted Online: Sept. 2, 2014
Kirkus Reviews Issue: Oct. 1, 2014
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Immersive and engaging, despite some flaws, and destined to capture imaginations.
Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.
Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.
Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)Pub Date: Jan. 31, 2017
ISBN: 978-1-250-09525-1
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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