LIKE WATER ON STONE

This verse novel uses alternating narrators to document three siblings’ flight from the 1915 Armenian genocide.

The Donabedian family’s Christian faith makes them a target of the Ottoman Empire’s genocide. When violence erupts, the parents barely manage to create a diversion that allows three of their children to escape to the mountains. With meager food supplies and only vague directions on how to reach safety, the children’s courage is tested. But unexpected sources provide help, most notably Ardziv, an eagle who both occasionally provides scavenged food and narrates events from his aerial perspective. This device does help illuminate the broad scale of the government’s brutality, but Ardziv also complicates the question of the author’s intended audience. While the novel’s graphic violence lends itself to more mature readers, they may view the eagle’s narration and assistance with skepticism. The verse is often powerful, especially in its use of repetition, but it does not provide the author with much textual opportunity to fully explain the nature of the ethnic and religious conflict. From a design perspective, it’s unfortunate that the information provided on the opening map reveals that the siblings survive and make it to New York, which may diminish the novel’s tension for many readers.

The emotional impact these events had on individuals will certainly resonate, but understanding the conflict at large may still require supplemental reading.