Narrated by the self-numbered Natalie 24, an overactive five-year-old with a lot of big ideas, this Junie B. Jones knockoff packs a lot of action into a just a few pages. Left to her own devices Natalie makes “Omel-Nats” (omelets) for her family. Her parents do not hear her as she break eggs, opens grape jelly, drops a bag of flour and explodes the microwave in making her one-of-a-kind treat. When her parents eventually do wake up, they don’t flip out; they simple say, “Only Natalie”—words that Natalie learns to hate. Natalie goes on about her day and gets into other scrapes—drawing with purple crayons on the bathroom wall, decorating her father’s church shoes, bringing ants into the house. Her parents end her day with a talk with her about God’s love and His acceptance. Natalie’s language is very, very close to Junie B., complete with the mangling of the names of common objects (“spit-u-la thing”) and the use of the word “that” (“I love that purple stuff”). Good thing God forgives her—many parents would be investigating that “spare the rod” verse. (Fiction. 5-8)
Pub Date: May 1, 2009
ISBN: 978-0-310-71566-5
Page Count: 96
Publisher: Zonderkidz
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nelson uses the old spiritual—offered here, astonishingly, in its first singleton, illustrated edition, though it’s available in many collections—as a springboard to celebrate family togetherness. Each line of a four-verse version of the lyric captions an intimate scene of an African-American lad, three sibs (one, lighter-skinned, perhaps adopted) and two parents in various combinations, posing together in both city (San Francisco) and country settings, sharing “the moon and the stars,” “the wind and the clouds,” “the oceans and the seas,” and so on. Sandwiched between views of, more or less, the whole world, Nelson alternates finished paintings in his characteristic strong, bold style with authentically childlike crayon drawings done with his left hand—demonstrating a superb ability to evoke both grand and naïve effects. Moving, reverent, spiritual indeed. (musical arrangement to close) (Picture book. 5-7)
Pub Date: Sept. 1, 2005
ISBN: 978-0-8037-2850-9
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2005
An empowering and important tale of bravery.
A Black Muslim boy must summon the courage to ask for a place at school to pray.
It’s Muhammad’s seventh birthday, and Daddy has a special gift for him: a prayer rug that’s royal blue with gold stitching and that smells of incense. Muhammad is now old enough to independently offer the five Muslim daily prayers, or salat. He packs the rug before school the next day and plans to find a private place for salat. But asking his teacher for help feels harder than anticipated—especially after seeing mean passersby jeer at his father, who prays in the open while working as an ice cream truck driver. To claim a space, Muhammad will need to be brave, just like his joyful, hardworking Daddy. Once again, Thompkins-Bigelow (Mommy’s Khimar, 2018) has written a beautiful, positive, and welcome portrayal of Black Muslim families. Her melodic writing captures Muhammad’s feelings as he works to find his voice and advocate for his needs. Aly’s playful, energetic illustrations offer a nod to Islamic art traditions and work in tandem with the text to give readers a glimpse into Muhammad’s hopes, fears, and growth. An author’s note explains what salat is, the times and names of the prayers, how it is performed, and other relevant terms used within the text. (This book was reviewed digitally.)
An empowering and important tale of bravery. (Picture book. 5-8)Pub Date: June 6, 2023
ISBN: 9781984848093
Page Count: 40
Publisher: Random House Studio
Review Posted Online: March 28, 2023
Kirkus Reviews Issue: April 15, 2023
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