Well-meant but heavy-handed.
A Pennsylvania Dutch folk tale about the origin of the robin’s red breast is woven into a story of a girl and her grandmother preparing for Easter together.
This interpretation offers new illustrations for a work that was originally published as The Story of the Easter Robin and illustrated by Anna Vojtech (2010). The cheery, new cover shows a little blonde white girl and her appealing dog gazing out a window at a robin’s nest with five eggs (though the text clearly specifies four eggs). Tressa and her grandmother watch as a pair of robins builds a nest right outside their window in the days before Easter. Tressa worries about the safety of the eggs, and her grandmother reassures her repeatedly that God will take care of the robins. They make bird decorations from dyed eggs, and Gran tells Tressa a legend about robins and why their breasts are red. At the crucifixion of Jesus, a robin pulled a thorn out of Jesus’ forehead, and a drop of blood stained the bird’s breast. The illustrations of the girl and the grandmother are cheerful and contemporary, but the depictions of the robin at the crucifixion shift to a dark sepia palette with frightening overtones. Jesus is shown carrying the cross, wearing the crown of thorns, and a menacing hand with a whip strikes out at both Jesus and the robin. (Birders will quibble that the robin depicted in the crucifixion story is American, a geographical impossibility.) The relatively lengthy text veers from chipper to lugubrious, with a preachy tone overall.
Well-meant but heavy-handed. (author’s note) (Religion/picture book. 4-7)Pub Date: Feb. 1, 2016
ISBN: 978-0-310-74964-6
Page Count: 32
Publisher: Zonderkidz
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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