by Dane Liu ; illustrated by ShinYeon Moon ‧ RELEASE DATE: Dec. 5, 2023
A sweet story that brings connections and food traditions to a satisfying full circle.
Millie and Laolao love to cook dumplings together, but one day Laolao can’t make them anymore.
Millie, a child with straight black hair and tawny skin, is dropped off at Laolao’s (Mandarin Chinese for grandmother) by Mama, who is Chinese, and brown-skinned Papi. Millie suggests they make dumplings, so the two head to Chinatown for ingredients. Laolao knows everyone there, and all the “aunties” and “uncles,” though not related to Millie or Laolao, feel like family. Millie spends the summer visiting Laolao, but Laolao is slowing down. One day, Laolao is too tired to make dumplings. The two spend the fall snuggling by the window, and by winter, Millie’s parents are bringing Laolao’s meals to her. They’re good, but everyone misses Laolao’s dumplings. Millie has an idea, and Mama, Papi, and Millie head to Chinatown. There, all of Laolao’s friends express their concern, sending best wishes and special ingredients back with the family. Then it’s Millie, Mama, and Papi who get to work in the kitchen, a new generation of dumpling-makers creating delicious memories to share with Laolao. Moon’s digital art incorporates bright colors inside black outlines, reminiscent of graphic novels. Varied layouts and compositions create visual interest, albeit sometimes at the expense of consistency. The realistic scenes full of detail most strongly convey the strength of community and family.
A sweet story that brings connections and food traditions to a satisfying full circle. (recipe for dumplings) (Picture book. 4-8)Pub Date: Dec. 5, 2023
ISBN: 9781250778192
Page Count: 48
Publisher: Godwin Books
Review Posted Online: Sept. 23, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by JaNay Brown-Wood ; illustrated by John Joven
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