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I MIGHT BE IN TROUBLE

For fans of Grant Ginder and Jean Hanff Korelitz, Aleman could be a writer to watch.

When a one-night-stand dies in his bed, a struggling writer sees a way to resuscitate his career.

In his first book for adults, having written two YA novels, Aleman creates a protagonist with an autofictional vibe—David Alvarez, the 28-year-old gay Latine author of two books—and places him in a gleefully cooked-up situation. After a roaring success with his debut and a wholesale flop with his second book, Alvarez learns from his agent, the soigne Stacey Hixon-Jones, that his publisher has passed on his third manuscript. Broke, friendless, and lonely, he turns to Grindr to drown his sorrows and meets up with what seems like the man of his dreams. The charming, handsome, slightly older guy who invites him to the Plaza Hotel and escorts him around town on a boozy, thrilling date seems like he could fill the hole left by the loss of his erstwhile partner, Jeremy, a casualty of David's absorption in his career drama. Unfortunately, in the morning, the dream date appears to have expired—and David doesn't remember whether he murdered him or not. In a panic, he calls Stacey, who pops over with dollar signs in her eyes. Surely they can turn this dead body into a bestseller! As they execute Stacey's bizarre idea for next steps, things get crazier and campier by the minute, sometimes staying on the funny side of ridiculous and sometimes…not. The plot keeps thickening, that's for sure, and contrasts a bit uncomfortably with the earnest portrayal of David's emotional landscape; his father, stepmother, and half brother in New Jersey could be characters from a different novel.  

For fans of Grant Ginder and Jean Hanff Korelitz, Aleman could be a writer to watch.

Pub Date: Dec. 3, 2024

ISBN: 9781538766347

Page Count: 336

Publisher: Grand Central Publishing

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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TO DIE FOR

Fast-moving excitement with a satisfying finish.

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  • New York Times Bestseller

The feds must protect an accused criminal and an orphaned girl.

Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead. 

Fast-moving excitement with a satisfying finish.

Pub Date: Nov. 12, 2024

ISBN: 9781538757901

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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