SONG IN THE CITY

A blind girl endeavors to share her musical perception of city sounds.

When Emmalene and Grandma Jean set out one Sunday, Emmalene rejoices at the “busy city symphony” that surrounds them as Bernstrom imbues his rhythmically rhyming text with exuberant onomatopoeia. There’s the “RUMBLE” of the bus, the “BIPPITY-BOP!” of a nearby marching band, and the “tippity-tapping” of the wind. But to impatient Grandma Jean, the sounds are mere “commotion”; for her, music is the church choir’s “loud and joyous” song. When Emmalene becomes frustrated that Grandma Jean doesn’t understand, Grandma Jean valiantly tries to hear from her perspective. But only after Emmalene covers Grandma Jean’s eyes does Grandma Jean finally hear her song; in kaleidoscopically colored text against black background, “acorns ticked. A backhoe WRECKED. A truck HARRUMPHED. And birds peck-pecked.” Emmalene and a tearful Grandma Jean embrace, and together they listen to the city’s “CLAPPING / FLAPPING / tippity-tapping” tune. Mohammed’s bright, bold illustrations vividly animate the bustling city, and Emmalene’s and Grandma Jean’s expressions are endearing; their love is palpable. Though Grandma Jean’s poignant epiphany echoes the trope of a disabled character imparting a lesson to a nondisabled character, the potentially off-key note is offset by the heartwarming portrayal of Emmalene and her grandma’s intergenerational bonding. Grandma Jean and Emmalene present Black with light- and dark-brown skin respectively. (This book was reviewed digitally.)

An eye-catching, toe-tapping celebration of the melodies in everyday sounds.