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ROBINSON CRUSOE

Name: ROBINSON CRUSOE
Author: Daniel Defoe

by Daniel Defoe & developed by Bee Gang ‧ RELEASE DATE: Dec. 15, 2011

Readers themselves will be in need of rescue from this abominable adaptation.

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A drastically abbreviated and uncommonly inept version of the classic survival tale.

Crusoe’s paraphrased narrative sweeps through the original’s major events up to the stranded traveler’s rescue—then on the last page suddenly cuts to a scene from Defoe’s lesser-known sequel for a one paragraph account of Friday’s death. The classic tale has been slashed to 15 screens of large text that is well-stocked with typos and interleaved with clumsy, sometimes irrelevant tilt- or touch-sensitive cartoon illustrations. Interactive effects include a “shooting gallery” in which the rifle points away from the moving pirate and a platter that inexplicably slides back and forth on the table in Crusoe’s shack. There are several screens on which foliage that can’t be completely moved aside covers parts of the text, and the superfluous firelit set of grimacing “cannibals” and flickable skulls have nothing whatsoever to do with the accompanying narrative. Furthermore, the menu’s index icon opens a tiny window almost impossible to scroll, and (in this version) the change-language icon shows only an option for English.

Readers themselves will be in need of rescue from this abominable adaptation. (iPad storybook app. 9-11)

Pub Date: Dec. 15, 2011

ISBN: N/A

Page Count: -

Publisher: Bee Gang

Review Posted Online: Jan. 17, 2012

Kirkus Reviews Issue: Feb. 1, 2012

- BOOK REVIEW
ROBINSON CRUSOE
by Daniel Defoe & illustrated by Penko Gelev & retold by Ian Graham

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HOW TÍA LOLA CAME TO (VISIT) STAY

From the Tía Lola Stories series , Vol. 1

by Julia Alvarez ‧ RELEASE DATE: March 1, 2001

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

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Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.

When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)

Pub Date: March 1, 2001

ISBN: 0-375-80215-0

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
ALREADY A BUTTERFLY
by Julia Alvarez ; illustrated by Raúl Colón

- BOOK REVIEW
WHERE DO THEY GO?
by Julia Alvarez ; illustrated by Sabra Field

- BOOK REVIEW
HOW TÍA LOLA ENDED UP STARTING OVER
by Julia Alvarez

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DIARY OF A WIMPY KID

A NOVEL IN CARTOONS

From the Diary of a Wimpy Kid series , Vol. 1

by Jeff Kinney ; illustrated by Jeff Kinney ‧ RELEASE DATE: April 1, 2007

Certain to elicit both gales of giggles and winces of sympathy (not to mention recognition) from young readers.

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First volume of a planned three, this edited version of an ongoing online serial records a middle-school everykid’s triumphs and (more often) tribulations through the course of a school year.

Largely through his own fault, mishaps seem to plague Greg at every turn, from the minor freak-outs of finding himself permanently seated in class between two pierced stoners and then being saddled with his mom for a substitute teacher, to being forced to wrestle in gym with a weird classmate who has invited him to view his “secret freckle.” Presented in a mix of legible “hand-lettered” text and lots of simple cartoon illustrations with the punch lines often in dialogue balloons, Greg’s escapades, unwavering self-interest and sardonic commentary are a hoot and a half.

Certain to elicit both gales of giggles and winces of sympathy (not to mention recognition) from young readers. (Fiction. 9-11)