Vigorous, smart and gripping, this debut novel is currently being turned into a feature film directed by Steven Spielberg.
In the not-too-distant future, a sentient computer program escapes from a research facility and initiates a bloody robot revolt against humankind.
Dr. Nicholas Wasserman knew his sentient computer program Archos’ nearly infinite processing power rendered it too dangerous to exist outside the controlled environment of his research facility. But despite his efforts to contain it, Archos proves way too smart even for Dr. Wasserman: It figures out a way to kill its creator and escape, with the aim of saving all the innocent life-forms on the planet from the scourge of the human race. Once free, Archos manipulates a human drilling crew into creating a bunker in the wilds of Alaska and depositing a self-assembling unit to house itself in the safety of an underground crater left over from a nuclear test detonation. From there, it spreads to control machines around the world, and after setting the groundwork, causes them to either murder humans or enslave them in forced-labor camps. Archos’ victory seems complete, until pockets of human resistance start to spring up around the world. Still, things are looking bad for the human race until a young girl comes along who, due to a half-completed operation by one of Archos’ surgical robots, has an ability that might even the odds for the humans as they unite in a final drive to destroy Archos once and for all. The action in robotics doctorate Wilson's debut novel starts in the immediate aftermath of the eventual human victory over Archos' forces, and unfolds via a series of events recorded by the robots to mark key turning points in the war, as edited and annotated by a human soldier. This episodic structure lets Wilson skip from good bit to good bit without the expository drudgery and unnecessary, usually ham-fisted brand of “character development” via internal monologue that so often bogs down the narrative pace of books of this genre. As it is, things pop along at a wonderfully breakneck pace, and by letting his characters reveal themselves through their actions, Wilson creates characters that spring to life.
Vigorous, smart and gripping, this debut novel is currently being turned into a feature film directed by Steven Spielberg.Pub Date: June 7, 2011
ISBN: 978-0-385-53385-0
Page Count: 368
Publisher: Doubleday
Review Posted Online: March 2, 2011
Kirkus Reviews Issue: March 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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