A virtuosic work that should please fans of genre-bending sagas.
James’ latest genre-defying novel in his Hourglass series fuses paranormal fantasy, existential horror, and eschatological thriller.
After 2022’s The Ferryman’s Toll, James continues the grand-scale narrative chronicling the conflict between opposing paranormal organizations. As Hourglass operatives battle the forces of the Cairnwood Society—“a cabal of wealthy and infernal sorts, human and non-human”—on Earth and in various alternate realities between Boschian dream realms and the undead vistas of the afterlife, humankind has a much more pressing problem. The mythical hereafter has been long destroyed; now the future of humanity is left with only sprawling nightmarish wastelands ruled by monstrous overlords. The only hope is to find an artifact that can allegedly stitch together a new paradisical afterlife: the coveted Firmament Needle. If the majority of storylines can be compared to narrative consommé, then this novel is the thickest of stews. Tasty morsels abound—the worldbuilding and backstory are extraordinary, with mind-blowing dreamscapes throughout. The ensemble cast of characters is deeply and insightfully developed, even otherworldly characters like Calkarion, a mulelike humanoid strapped to a mechanical spider who befriends Konstantin Kozlov, a Russian necromancer, in his search for the Needle. But it’s the diversity of the multiple intertwining plot threads that makes this such a page-turner. Hourglass operatives like Clyde Williams, whose soul has been tainted by a Babylonian dream demon, battle their adversaries—and themselves—in jaw-dropping fight sequences. Kozlov and company embark on a phantasmagorical quest through post-apocalyptic landscapes inhabited with nightmare-inducing predators, which include a living circus filled with killer clowns and carnies. Through it all, the author succeeds in delivering an overarching message about the pitfalls of misplaced faith: “Perhaps we all do need a little faith. Not in any of this…but in ourselves to do what’s right.”
A virtuosic work that should please fans of genre-bending sagas.Pub Date: Jan. 6, 2025
ISBN: 9781738495627
Page Count: 344
Publisher: Bottled Lightning Press
Review Posted Online: July 19, 2024
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.
Following the mysterious disappearance of his wife, a struggling London novelist journeys to a remote Scottish island to try to get his mojo back—but all, of course, is not what it seems.
Grady Green hits the pinnacle of his publishing career on the same night that his life goes off the rails—first his book lands on the New York Times bestseller list, and then his wife, Abby, goes missing on her way home. A year later, Grady is a mere shadow of his former self: out of money and out of ideas. So, when his agent, Abby’s godmother, suggests that he spend some time on the Isle of Amberly, in a log cabin left to her by one of her writers, it seems as good a plan as any. With free housing for himself and his dog and a beautiful, distraction-free environment, maybe he can finally complete the next novel. But from the very beginning, Grady’s experiences with Amberly seem weird, if not downright ominous: As a visitor, he’s not allowed to bring his car onto the island; the local businesses are only open for a few hours at a time; and there are no birds. At all. Not to mention the skeletal hand he finds buried under the floorboards of the cabin, the creepy harmonica music in the woods, and the occasional sighting of a woman in a red coat who’s a dead ringer for Abby. As Grady falls deeper and deeper into insomnia and alcoholism, he begins to realize his being on the island is no accident—and that should make him very afraid. Through occasional chapters from before Abby’s disappearance, told from her point of view, we learn that Grady is not necessarily a reliable narrator, and the book’s slow unfolding of dread, mystery, and then truth is both creative and well-paced. Every chapter heading is an oxymoron, like the title, reminding us of the contradictions at the heart of every story.
“Nasty little fellows…always get their comeuppance,” a movie character once said. Deeply satisfying.Pub Date: Jan. 14, 2025
ISBN: 9781250337788
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: Oct. 10, 2024
Kirkus Reviews Issue: Nov. 15, 2024
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