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THE BALLAD OF BOB DYLAN

A PORTRAIT

Despite occasionally graceful writing and input from hitherto untapped expert witnesses, this is not top-shelf Dylanology.

Four concerts viewed over more than four decades frame a new study of the musician.

Historian and poet Epstein (Lincoln’s Men: The President and His Private Secretaries, 2009, etc.) employs a quartet of Dylan gigs he attended—a 1963 solo acoustic date, a 1974 show with The Band, and 1997 and 2009 stops on the so-called Never Ending Tour—as pivots in his overview of the singer-songwriter’s 50-year musical journey. The results are a mixed bag. The ’63 performance in Washington, D.C., coincided with Dylan’s rise to folk-music stardom, and the ’74 Madison Square Garden stand was part of a trek that returned him to the stage after an eight-year layoff, but Epstein never integrates his observations into the flow of his biographical narrative. The latter two shows were merely stops on a long road, and the author parses them indifferently. Epstein is at his best dealing with his subject’s Minnesota boyhood, embrace of folk music and meteoric early-’60s ascent; fresh recollections from Nora Guthrie, daughter of Dylan’s role model Woody Guthrie, highlight the early going. Likewise, later chapters on the making of the important albums Time Out of Mind (1997) and Love and Theft (2001) benefit from revealing interviews with session men like drummer David Kemper and the late keyboardist-raconteur Jim Dickinson. Yet Epstein fails to penetrate the artist’s multitudinous masks at other crucial junctures. He offers nothing new about Dylan’s mid-’60s rock stardom, and his crucial relationship with first wife Sara Lownds is as mysterious here as it is in other accounts. The author has no patience with Dylan’s conversion to Christianity in the late ’70s, and the music that followed receives little consideration. Epstein takes in Dylan’s creatively manic later years as a touring and recording artist, writer, painter and radio host with an obsessive’s eye, but all the detail feels unsorted and second-hand.

Despite occasionally graceful writing and input from hitherto untapped expert witnesses, this is not top-shelf Dylanology.

Pub Date: May 3, 2011

ISBN: 978-0-06-180732-9

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: April 11, 2011

Kirkus Reviews Issue: Feb. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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